The viewer as conscript : dynamic struggles for ideological supremacy in the South African Border War film, 1971-1988
type: CreativeWork
description: Fourteen South African films made between 1971 and 1988, and dealing with the Border War, are examined. The focus of this examination is on the ways in which films were used to persuade the white public to accept the legitimacy of the Border War. The period under examination is one during which the Apartheid government moved South African society ever closer to what has been termed a 'garrison state'. Rather than following the approach indicated by the notion of 'film as history', the current work attempts to use films as sources of data to explicate the nature of the ideological manipulation at stake in each case.
abstract: Fourteen South African films made between 1971 and 1988, and dealing with the Border War, are examined. The focus of this examination is on the ways in which films were used to persuade the white public to accept the legitimacy of the Border War. The period under examination is one during which the Apartheid government moved South African society ever closer to what has been termed a 'garrison state'. Rather than following the approach indicated by the notion of 'film as history', the current work attempts to use films as sources of data to explicate the nature of the ideological manipulation at stake in each case.
author: Craig, Dylan
language: eng
date published: 2003
date modified: 2026-07-22T22:23:01Z
provider: University of Cape Town
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: Department of Historical Studies

PropertyValue
property ID: Handle
value: http://hdl.handle.net/11427/10300