{"id":{"repo_id":"cambridge","oai_identifier":"oai:www.repository.cam.ac.uk:1810/395236"},"canonical_url":"https://search.dev.ndltd.org/etd/cambridge/oai:www.repository.cam.ac.uk:1810/395236","repository":{"repo_id":"cambridge","name":"Cambridge University","base_url":"https://api.repository.cam.ac.uk/server/oai/request"},"display":{"title":"Towards a Poetics of the Digital Protest Text: Insights from the #BlackLivesMatter Movement (2013-) and Anti-CAA and Anti-NRC Protests (2019-2020)","abstract":"With the rise of digital activism in the global protest cycle, it is imperative to formulate theoretical frameworks, or a poetics, of the role digital texts play in creating, sustaining, and outliving protest. For all its ubiquitous use, the form has been slippery to conceptualize; its literary value overshadowed by its function as an appendage to sociological and historical readings of protest. I construct a poetics for the digital protest text by examining the (largely online) protest texts of the Black Lives Matter movement in the US and the anti-CAA and anti-NRC movement in Shaheen Bagh, India: both of which had significant in-situ participation, as well as a vibrant virtual life. I offer comparative, and at times, complementary readings of these two movements to provide a theoretical framework for understanding the digital protest text beyond localisation or specialised archives. In this PhD, I examine a variety of texts, ranging from seminal protest texts such as ‘Sab Yaad Rakha Jaayega’ (‘All Will Be Remembered’) by Aamir Aziz, Citizen: An American Lyric by Claudia Rankine, A Fortune For Your Disaster by Hanif Abdurraqib to community-produced volumes and images with directed circulation. In doing so, I posit embodiment, archiving, and doubling as key poetics of the digital protest text. I argue that their triangulation is key for the sustenance of contemporary protest movements. Finally, I reinstate the central—rather than incidental—role that the digital protest text plays in modern protest.","abstract_html":"With the rise of digital activism in the global protest cycle, it is imperative to formulate theoretical frameworks, or a poetics, of the role digital texts play in creating, sustaining, and outliving protest. For all its ubiquitous use, the form has been slippery to conceptualize; its literary value overshadowed by its function as an appendage to sociological and historical readings of protest. I construct a poetics for the digital protest text by examining the (largely online) protest texts of the Black Lives Matter movement in the US and the anti-CAA and anti-NRC movement in Shaheen Bagh, India: both of which had significant in-situ participation, as well as a vibrant virtual life. I offer comparative, and at times, complementary readings of these two movements to provide a theoretical framework for understanding the digital protest text beyond localisation or specialised archives. In this PhD, I examine a variety of texts, ranging from seminal protest texts such as ‘Sab Yaad Rakha Jaayega’ (‘All Will Be Remembered’) by Aamir Aziz, Citizen: An American Lyric by Claudia Rankine, A Fortune For Your Disaster by Hanif Abdurraqib to community-produced volumes and images with directed circulation. In doing so, I posit embodiment, archiving, and doubling as key poetics of the digital protest text. I argue that their triangulation is key for the sustenance of contemporary protest movements. Finally, I reinstate the central—rather than incidental—role that the digital protest text plays in modern protest.","abstract_has_math":false,"creators":["Pachisia, Stuti"],"institution":"University of Cambridge","degree_name":"Doctor of Philosophy (PhD)","degree_level":"Doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Gopal, Priyamvada"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-06-20","date_published":"2025-06-20","updated_at":"2026-07-24T01:33:25Z","subjects":["digital humanities","protest","protest culture","Black Lives Matter","Anti-CAA","Anti-NRC","Shaheen Bagh","Embodiment"],"languages":["eng"],"rights":[],"rights_urls":["https://www.repository.cam.ac.uk/bitstreams/507339a1-0568-4036-9d93-536101c8d0df/download","http://purl.org/NET/rdflicense/allrightsreserved"],"identifier_entries":[]},"links":{"outbound_url":"https://doi.org/10.17863/CAM.124798","outbound_label":"DOI","outbound_source":"dc:identifier.doi"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Gopal, Priyamvada"]},{"key":"dc:contributor.sponsor","label":"Sponsor","values":["Gates Cambridge Scholarship"]},{"key":"dc:creator","label":"Author","values":["Pachisia, Stuti"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2025-06-20"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cambridge"]},{"key":"dc:relation.isreferencedby.uri","label":"Dc Relation Isreferencedby URI","values":["https://www.repository.cam.ac.uk/handle/1810/395236"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["digital humanities","protest","protest culture","Black Lives Matter","Anti-CAA","Anti-NRC","Shaheen Bagh","Embodiment"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["https://www.repository.cam.ac.uk/bitstreams/507339a1-0568-4036-9d93-536101c8d0df/download","http://purl.org/NET/rdflicense/allrightsreserved"]},{"key":"dc:rights.embargodate","label":"Dc Rights Embargodate","values":["2027-01-14"]},{"key":"dc:rights.embargotype","label":"Dc Rights Embargotype","values":["embargo"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.17863/CAM.124798"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://www.repository.cam.ac.uk/bitstreams/1ca2f754-65db-4215-875b-9e4a7fdc9c62/download"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["With the rise of digital activism in the global protest cycle, it is imperative to formulate theoretical frameworks, or a poetics, of the role digital texts play in creating, sustaining, and outliving protest. 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In this PhD, I examine a variety of texts, ranging from seminal protest texts such as ‘Sab Yaad Rakha Jaayega’ (‘All Will Be Remembered’) by Aamir Aziz, Citizen: An American Lyric by Claudia Rankine, A Fortune For Your Disaster by Hanif Abdurraqib to community-produced volumes and images with directed circulation. In doing so, I posit embodiment, archiving, and doubling as key poetics of the digital protest text. I argue that their triangulation is key for the sustenance of contemporary protest movements. 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