{"id":{"repo_id":"cambridge","oai_identifier":"oai:www.repository.cam.ac.uk:1810/385626"},"canonical_url":"https://search.dev.ndltd.org/etd/cambridge/oai:www.repository.cam.ac.uk:1810/385626","repository":{"repo_id":"cambridge","name":"Cambridge University","base_url":"https://api.repository.cam.ac.uk/server/oai/request"},"display":{"title":"Artists as Tricksters: Resourceful Artists of the German Renaissance","abstract":"Comic and entertaining chapbooks from late-medieval Germany, such as Till Eulenspiegel, often featured clever and cunning protagonists who practiced trickery and subverted social norms. This character of the trickster—as this dissertation reveals—was also a major identity deliberately cultivated by many German and Swiss artists of the early sixteenth century, who invented pictorial tricks or parodied traditional iconography to contrive scandals and disorient their audiences. This dissertation draws upon this cultural and social phenomenon of the trickster to analyze works by German artists from the first two decades of the sixteenth century, using contexts from contemporary literature, religious practices, and folklore to parse the often proclaimed but insufficiently explained “eccentricity” of German art from the period.","abstract_html":"Comic and entertaining chapbooks from late-medieval Germany, such as Till Eulenspiegel, often featured clever and cunning protagonists who practiced trickery and subverted social norms. This character of the trickster—as this dissertation reveals—was also a major identity deliberately cultivated by many German and Swiss artists of the early sixteenth century, who invented pictorial tricks or parodied traditional iconography to contrive scandals and disorient their audiences. This dissertation draws upon this cultural and social phenomenon of the trickster to analyze works by German artists from the first two decades of the sixteenth century, using contexts from contemporary literature, religious practices, and folklore to parse the often proclaimed but insufficiently explained “eccentricity” of German art from the period.","abstract_has_math":false,"creators":["Guan, Luming"],"institution":"University of Cambridge","degree_name":"Doctor of Philosophy (PhD)","degree_level":"Doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Marr, Alexander"],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-12-01","date_published":"2024-12-01","updated_at":"2026-07-22T22:24:17Z","subjects":["German Renaissance","Renaissance Art","Trickster"],"languages":[],"rights":[],"rights_urls":["https://apollo8-f-pro.lib.cam.ac.uk/bitstreams/4c7543d6-779b-407e-912e-ba172f90662d/download","http://purl.org/NET/rdflicense/allrightsreserved"],"identifier_entries":[]},"links":{"outbound_url":"https://doi.org/10.17863/CAM.119158","outbound_label":"DOI","outbound_source":"dc:identifier.doi"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Marr, Alexander"]},{"key":"dc:contributor.sponsor","label":"Sponsor","values":["Cambridge Trust (Cambridge International Scholarship); Diamonstein-Spievogel Fellowship at the Metropolitan Museum of Art, Drawings and Prints Department; Research Fellowship at the Staatliche Museen zu Berlin, Kupferstichkabinett."]},{"key":"dc:creator","label":"Author","values":["Guan, Luming"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2024-12-01"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cambridge"]},{"key":"dc:relation.isreferencedby.uri","label":"Dc Relation Isreferencedby URI","values":["https://www.repository.cam.ac.uk/handle/1810/385626"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["German Renaissance","Renaissance Art","Trickster"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["https://apollo8-f-pro.lib.cam.ac.uk/bitstreams/4c7543d6-779b-407e-912e-ba172f90662d/download","http://purl.org/NET/rdflicense/allrightsreserved"]},{"key":"dc:rights.embargotype","label":"Dc Rights Embargotype","values":["controlled.access"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.17863/CAM.119158"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://apollo8-f-pro.lib.cam.ac.uk/bitstreams/fb0564f2-efd9-46f2-86f6-ebd10235192b/download"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Comic and entertaining chapbooks from late-medieval Germany, such as Till Eulenspiegel, often featured clever and cunning protagonists who practiced trickery and subverted social norms. This character of the trickster—as this dissertation reveals—was also a major identity deliberately cultivated by many German and Swiss artists of the early sixteenth century, who invented pictorial tricks or parodied traditional iconography to contrive scandals and disorient their audiences. This dissertation draws upon this cultural and social phenomenon of the trickster to analyze works by German artists from the first two decades of the sixteenth century, using contexts from contemporary literature, religious practices, and folklore to parse the often proclaimed but insufficiently explained “eccentricity” of German art from the period."]},{"key":"dc:format.checksum.md5","label":"Dc Format Checksum Md5","values":["246ab21d2d67605aba8f73886b50ea9d","87eda9de84448d1f82354d60eee3eb5f"]},{"key":"dc:title","label":"Title","values":["Artists as Tricksters: Resourceful Artists of the German Renaissance"]}]}],"canonical_facts":{"dc:contributor.advisor":["Marr, Alexander"],"dc:contributor.sponsor":["Cambridge Trust (Cambridge International Scholarship); Diamonstein-Spievogel Fellowship at the Metropolitan Museum of Art, Drawings and Prints Department; Research Fellowship at the Staatliche Museen zu Berlin, Kupferstichkabinett."],"dc:creator":["Guan, Luming"],"dc:date.issued":["2024-12-01"],"dc:description.abstract":["Comic and entertaining chapbooks from late-medieval Germany, such as Till Eulenspiegel, often featured clever and cunning protagonists who practiced trickery and subverted social norms. This character of the trickster—as this dissertation reveals—was also a major identity deliberately cultivated by many German and Swiss artists of the early sixteenth century, who invented pictorial tricks or parodied traditional iconography to contrive scandals and disorient their audiences. This dissertation draws upon this cultural and social phenomenon of the trickster to analyze works by German artists from the first two decades of the sixteenth century, using contexts from contemporary literature, religious practices, and folklore to parse the often proclaimed but insufficiently explained “eccentricity” of German art from the period."],"dc:format.checksum.md5":["246ab21d2d67605aba8f73886b50ea9d","87eda9de84448d1f82354d60eee3eb5f"],"dc:identifier.doi":["https://doi.org/10.17863/CAM.119158"],"dc:identifier.uri":["https://apollo8-f-pro.lib.cam.ac.uk/bitstreams/fb0564f2-efd9-46f2-86f6-ebd10235192b/download"],"dc:publisher.institution":["University of Cambridge"],"dc:relation.isreferencedby.uri":["https://www.repository.cam.ac.uk/handle/1810/385626"],"dc:rights":["https://apollo8-f-pro.lib.cam.ac.uk/bitstreams/4c7543d6-779b-407e-912e-ba172f90662d/download","http://purl.org/NET/rdflicense/allrightsreserved"],"dc:rights.embargotype":["controlled.access"],"dc:subject":["German Renaissance","Renaissance Art","Trickster"],"dc:title":["Artists as Tricksters: Resourceful Artists of the German Renaissance"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["Doctoral"],"dc:type.qualificationname":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-22T22:24:17Z"}