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University of Cambridge

Popular autoethnography in Britain, c. 1870 - 1940

Abstract

dc:description.abstract

This thesis explores attempts within the emerging social sciences to turn the anthropological gaze inwards. It reveals a lively, participatory tradition spanning the nascent disciplines of social anthropology, sociology, and human geography, in which British people, social scientists and otherwise, sought to know themselves as having a ‘culture’. In doing so, it challenges a conventional narration of this period: that in a high-Victorian, high-imperial era, ‘metropolitan perception’ prevailed; that this perception was marked by an inability to see Britain as a ‘social totality’, except as the evolutionary apex of a globally-exportable Civilisation; and that this situation was only rescued by the retrieval of an insular, national culture from the winds of imperial contraction in the 1930s. Instead, the thesis shows that we can detect autoethnographic thinking within the human sciences themselves, even during an era when those sciences were supposedly more prone to self-universalising than self-relativising. It proceeds via five case studies, beginning with late-nineteenth century folkloristics, the first endeavour within the human sciences to devote itself to homeland ethnography, before moving onto an examination of the *fin-de-siècle* photographic survey movement. It shows how contributors to both projects saw themselves as both participants and observers in the cultures they sought to make visible. A third case continues this theme, examining participatory, bio-sociological ‘regional surveys’ in the era of mass democracy. The fourth case examines the use of ethnographic fieldwork in geographical teaching; while a fifth turns to the practice of interwar sociological survey. This last chapter shows that the 1930s did witness a national ‘anthropological turn’, but it came at the expense of an older, perhaps more genuinely popular one. By reconstructing this earlier tradition, this thesis provides a more textured account of a culture in transition from global empire to island nation.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy (PhD)
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
University of Cambridge
Year dc:date.issued
2023

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Parker, Harry
Advisor dc:contributor.advisor
  • Mandler, Peter

Subjects

dc:subject × 4

Rights

dc:rights
Language dc:language
eng

Identifiers

dc:identifier.*
DOI dc:identifier.doi
https://doi.org/10.17863/CAM.105930
OAI identifier oai:identifier
oai:www.repository.cam.ac.uk:1810/364158

Chain of custody

source
Harvested from
Cambridge University
Base URL
api.repository.cam.ac.uk/server/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Parker, Harry. Popular autoethnography in Britain, c. 1870 - 1940. Doctoral thesis, University of Cambridge, 2023. https://doi.org/10.17863/CAM.105930