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Magdalene College

Visual Power and Elite Subjectivity in Private Portraiture from Imperial Greece

Abstract

dc:description.abstract

This doctorate investigates portrait sculptures erected in Greece from the reign of the first Roman emperor Augustus at the end of the first century BC into late antiquity to ask how private individuals, in different ways, in different locales and contexts, brought Greek and Roman visual languages into conversation to situate themselves in history and within complex power dynamics. To explore what this sculpture did with, and contributed to, its Greek background, and, in consequence, how personal and local identities were expressed in actu and in situ, this thesis examines both male and female portraits. It brings together published and unpublished data from fieldwork undertaken in Rome, the centre of a unique multicultural Empire, and Athens, a hotspot of Greek intellectual activity in the Roman period. The thesis is structured around highly visible public contexts (temples, gymnasia, agorae, theatres) to examine the variables that affected modes of self-presentation in marble. It speaks not only to art historical concerns but, by virtue of its contribution to identity-studies, to questions of politics and class. The manifold expressions of local identities and the macro-identity of imperial Hellenism are mutually supportive in highlighting the problem of subjectivity and visual power in Roman Greece. Rather than cashing out portraits as unequivocally Greek or tokens of Romanization, this thesis understands portraiture as a powerful medium which shored up local elites’ currency and created common ground between Greece and Rome in tandem. This thesis investigates the ways in which local elite families developed their own sense of self around an eclectic version of Greekness, as well as how the act of looking at the portrait galleries of disparate spaces provided stimulus for the creation and structuring of a shared elite subjectivity.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy (PhD)
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
Magdalene College
Year dc:date.issued
2022

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Koukovasilis, Georgios
Advisor dc:contributor.advisor
  • Vout, Caroline

Subjects

dc:subject × 6

Rights

dc:rights
Language dc:language
eng

Identifiers

dc:identifier.*
DOI dc:identifier.doi
https://doi.org/10.17863/CAM.90224
OAI identifier oai:identifier
oai:www.repository.cam.ac.uk:1810/342805

Chain of custody

source
Harvested from
Cambridge University
Base URL
api.repository.cam.ac.uk/server/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Koukovasilis, Georgios. Visual Power and Elite Subjectivity in Private Portraiture from Imperial Greece. Doctoral thesis, Magdalene College, 2022. https://doi.org/10.17863/CAM.90224