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University of Cambridge

Modes of Resistance: Memory, Language and Identity in the Performance of Assyrian Liturgy in Iraq and Beyond

Abstract

dc:description.abstract

As an ancient eastern rite, the Assyrian Church of the East liturgy and music have been the guardian of the Assyrian Christian faith, language and culture for more than a millennium. With the Church’s core activities happening in Mesopotamia, its liturgical music provides additional insight into the history of musical developments in the region, tells the story of Assyrians as a people and culture and recounts their perseverance through a series of persecutions and migrations. Accordingly, this project studies the advancement of several modal systems in the region to determine this tradition’s position in the context of the Middle Eastern music theory. Consequently, this work explores modal aspects of this music and different schools of performance using music analysis and ethnographic data collected in Iraq, Iran, the United Kingdom and the United States. This thesis also studies the role the liturgical music of the Assyrian Church of the East plays in the preservation and presentation of Assyrian ethnic identity, especially after the US invasion of Iraq in 2003 and the rise of ISIS in 2014, by further focusing on the martyrs’ hymn as a chant genre and the relationship between the liturgical language and music. Finally, this study investigates the connection between this musical repertoire and Assyrian musicians through two case studies, including a church musician in Iraq and an Assyrian pop singer in Chicago, to further examine the Church community’s perception of their liturgical music as guardian of tradition and signifier of Assyrianness.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy (PhD)
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
University of Cambridge
Year dc:date.issued
2021

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Pakbaz, Rashel
Advisor dc:contributor.advisor
  • McMurray, Peter

Subjects

dc:subject × 5

Rights

dc:rights
Language dc:language
eng

Identifiers

dc:identifier.*
DOI dc:identifier.doi
https://doi.org/10.17863/CAM.84837
OAI identifier oai:identifier
oai:www.repository.cam.ac.uk:1810/337424

Chain of custody

source
Harvested from
Cambridge University
Base URL
api.repository.cam.ac.uk/server/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Pakbaz, Rashel. Modes of Resistance: Memory, Language and Identity in the Performance of Assyrian Liturgy in Iraq and Beyond. Doctoral thesis, University of Cambridge, 2021. https://doi.org/10.17863/CAM.84837