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University of Cambridge

Race, Gender, and Beauty in Late Colonial India c.1900-1950.

Abstract

dc:description.abstract

This doctoral thesis argues that skin-lightening defined femininity and modernity for emerging middle-class women in colonial India during a time of global transformation. Most contemporary scholarship to date focuses on the impacts of twenty-first-century skin-lightening markets and advertising without adequately historicising colourism. Taking an interdisciplinary approach, this thesis brings socio-cultural experiences, vernacular material cultures and textual production, and intellectual histories of race and caste, into conversation with one another to argue that skin-lightening was, and continues to be, an embodiment praxis. By taking this perspective, it is possible to unpack how obtaining fairer skin, and the social power it enabled, related to colonial and indigenous sanitation and health discourses, the marriage market, and tied to ways of being urban, modern, and feminine. This praxis also involved navigating skin-lightening methodologies which engendered complicities in, and subversions of, skin colour hierarchies. By exploring how racial, cultural, and social capital operated in early twentieth-century India, this thesis also examines how colourism functioned alongside caste and class mobility in mass print literature that targeted women beginning to identify as ‘middle-class’. Furthermore, this thesis historicises the use of skin-lightening commodities. Sociological and historical scholarship on South Asian consumption attributes the presence of skin-lightening products in India either to the marketing of Fair and Lovely by Hindustan Lever in 1975 or to economic liberalisation of the late 1980s. This thesis rejects this assumption — and argues, instead, that colourism and preferences for fairer skin were commodified in colonial India via a racialised imperial-capitalist economy and were discursively adapted by Indian producers and consumers. Overall, it argues that the commodification of beauty assigned new values to ways of being healthy and modern for aspiring women during a time of extraordinary change, when emerging urban identities and the crystallisation of religious and caste identities set a new framework for global domesticity and consumption.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy (PhD)
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
University of Cambridge
Year dc:date.issued
2021

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Hussain, Asia Mobeen
Advisor dc:contributor.advisor
  • Denault, Leigh

Subjects

dc:subject × 7

Rights

dc:rights
Language dc:language
eng

Identifiers

dc:identifier.*
Author Identifier
0000-0001-8630-9540
OAI identifier oai:identifier
oai:www.repository.cam.ac.uk:1810/328777

Chain of custody

source
Harvested from
Cambridge University
Base URL
api.repository.cam.ac.uk/server/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Hussain, Asia Mobeen. Race, Gender, and Beauty in Late Colonial India c.1900-1950.. Doctoral thesis, University of Cambridge, 2021. https://doi.org/10.17863/CAM.76222