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University of Cambridge

Abstractions from Spectral Sonorities

Abstract

dc:description.abstract

In this analytical commentary and the accompanying portfolio of compositions, I deal primarily with issues relating to Spectral and Post- Spectral techniques in contemporary music. Potential limitations of Spectralism (as a genre) are taken into consideration, and several philosophical underpinnings of this compositional style are called into question as I consider the possibility of a music which is enhanced, but not constricted, by its technical innovations. Specifically, I examine various ways by which resonant harmonic colours of the natural overtone series might be abstracted from their Natural context(s), categorised, studied, understood, and finally deployed within a harmonic language which is to some extent musically functional rather than merely sonically colourful. The seven compositions included in the portfolio approach the problem from a variety of methodological angles: —Pitch structures, isolated from the world of acoustic phenomena, are studied and manipulated to create colourful musical objects with an inherent inner logic. —In some instances Spectral concepts and techniques are integrated (or juxtaposed) with principles borrowed or adapted from tonal, post- tonal and serialist approaches to composition. —Occasionally non-Spectral music is analysed from a Spectral perspective and repurposed within a hybridised harmonic language. The commentary also records my artistic and technical development as a composer during my time at Cambridge. It charts my progress towards the attainment of a harmonic/musical grammar unique to myself, and the pursuit of a technical facility appropriate to this ambition.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy (PhD)
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
University of Cambridge
Year dc:date.issued
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Brennan, Patrick
Advisor dc:contributor.advisor
  • Causton, Richard

Subjects

dc:subject × 3

Rights

dc:rights
Language dc:language
eng

Identifiers

dc:identifier.*
DOI dc:identifier.doi
https://doi.org/10.17863/CAM.62163
OAI identifier oai:identifier
oai:www.repository.cam.ac.uk:1810/315056

Chain of custody

source
Harvested from
Cambridge University
Base URL
api.repository.cam.ac.uk/server/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Brennan, Patrick. Abstractions from Spectral Sonorities. Doctoral thesis, University of Cambridge, 2019. https://doi.org/10.17863/CAM.62163