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University of Cambridge

Coros y Danzas: Musical Folklore and Spanish Identity in the Early Franco Regime (1939-53)

Abstract

dc:description.abstract

This study investigates how the early Franco regime (1939-53) used Spanish musical traditions as a form of propaganda and cultural diplomacy during the first fourteen years of the dictatorship––a period that saw Spain transform itself from a supporter of Nazi Germany to a staunch ally of the Western Bloc. Based on archival work conducted in eight archives throughout Spain, I challenge a rather monolithic view of how the Franco regime portrayed gender roles and Spanish regional cultures at home and abroad according to different geopolitical circumstances. In particular, I focus on the Sección Femenina, the women’s section of the fascist Falange party, that represented an institutionalised view of folk music and women’s role in society. This group, numbering over 30,000 female members in 1950, sent young women to remote villages throughout the nation’s diverse cultural and linguistic regions to select, transcribe, and at times compose folk music and dance. I study how the female members of the Sección Femenina edited, documented, published, and performed musical folklore to shape and promote Francoist concepts of Spanish cultural and racial purity. Referring to writings on nationalism and cultural identity, this investigation proposes that the collectors determined the ‘purity’ of different regional ethnic communities throughout the nation. Ultimately, the Franco regime used the Sección Femenina’s concept of Hispanidad to justify its oppressive cultural policies and as a form of cultural diplomacy abroad.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy (PhD)
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
University of Cambridge
Year dc:date.issued
2020

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Jordan, Daniel David
Advisors dc:contributor.advisor
  • Frolova-Walker, Marina
  • Machin-Autenrieth, matthew

Subjects

dc:subject × 11

Rights

dc:rights
Language dc:language
en

Identifiers

dc:identifier.*
Author Identifier
0000-0002-7748-5320
OAI identifier oai:identifier
oai:www.repository.cam.ac.uk:1810/300585

Chain of custody

source
Harvested from
Cambridge University
Base URL
api.repository.cam.ac.uk/server/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Jordan, Daniel David. Coros y Danzas: Musical Folklore and Spanish Identity in the Early Franco Regime (1939-53). Doctoral thesis, University of Cambridge, 2020. https://doi.org/10.17863/CAM.47658