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University of Cambridge

Towards an Architecture of the Cinematic

Abstract

dc:description.abstract

This dissertation begins to reconsider the theoretical and practical implications of notions of the cinematic in shaping the built realities and conceptual understandings of what architecture can be and can do. Through a combination of primary source archive research, interviews with a range of actors, original building analysis, and critical engagement with the secondary literatures, I examine a range of architectural case studies through a distilled notion of the cinematic, in order to begin to think architecture differently. The dissertation is structured in three main parts. Firstly, using primary archive research and secondary literatures, I reconsider the foundations of cinema through the successive image and moving-image work of Eadweard Muybridge, Étienne-Jules Marey, and Thomas Edison; from this analysis I construct a core set of qualities of the cinematic. Secondly, I critically review the existing architecture-cinema relationship as it relates to the discipline of architecture, using a combination of primary and secondary literatures, and architectural projects; I identify gaps and contradictions in the existing understandings of the architectural implications of explicitly cinematic approaches; I then introduce two contemporary architectural practices that engage with ideas of the cinematic – Diller Scofidio + Renfro, and Bernard Tschumi Architect. Thirdly, I use the distilled notion of the cinematic constructed above to think and re-evaluate a series of case study projects of these two architectural practices; I analyse these projects in detail to reveal a different mode of understanding both these specific architectures, and the critical positions of these architectural practices more generally. Finally, I begin to explore the broader implications of these conclusions for thinking architecture and its possibilities anew.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy (PhD)
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
University of Cambridge
Year dc:date.issued
2018

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Breeze, Mark
Advisor dc:contributor.advisor
  • Penz, François

Subjects

dc:subject × 3

Rights

dc:rights
Language dc:language
en

Identifiers

dc:identifier.*
DOI dc:identifier.doi
https://doi.org/10.17863/CAM.30237
OAI identifier oai:identifier
oai:www.repository.cam.ac.uk:1810/282875

Chain of custody

source
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Cambridge University
Base URL
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Last updated
2026-07-22
Source record
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citation

Breeze, Mark. Towards an Architecture of the Cinematic. Doctoral thesis, University of Cambridge, 2018. https://doi.org/10.17863/CAM.30237