{"id":{"repo_id":"byu","oai_identifier":"oai:scholarsarchive.byu.edu:etd-1591"},"canonical_url":"https://search.dev.ndltd.org/etd/byu/oai:scholarsarchive.byu.edu:etd-1591","repository":{"repo_id":"byu","name":"Brigham Young University","base_url":"https://scholarsarchive.byu.edu/do/oai/"},"display":{"title":"Perry Smith and Josef Kavalier: Historical and Literary Victimized Victimizers","abstract":"<p>In literary trauma theory, victimized victimizers represent an ambiguous area. In my thesis, I show how Perry Smith, a historical figure in Truman Capote's <em>In Cold Blood</em>, and Josef Kavalier, a fictional character in Michael Chabon's <em>The Amazing Adventures of Kavalier & Clay</em>, represent these ambiguities. Both men become murderers acting out violence that was inflicted upon them as children. However, only Kavalier seems to work through the trauma.</p>","abstract_html":"&lt;p&gt;In literary trauma theory, victimized victimizers represent an ambiguous area. In my thesis, I show how Perry Smith, a historical figure in Truman Capote&#x27;s &lt;em&gt;In Cold Blood&lt;/em&gt;, and Josef Kavalier, a fictional character in Michael Chabon&#x27;s &lt;em&gt;The Amazing Adventures of Kavalier &amp; Clay&lt;/em&gt;, represent these ambiguities. Both men become murderers acting out violence that was inflicted upon them as children. However, only Kavalier seems to work through the trauma.&lt;/p&gt;","abstract_has_math":false,"creators":["Jeo, Noella"],"institution":"Brigham Young University - Provo","degree_name":"MA","degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":null,"date_issued":"","date_published":null,"updated_at":"2026-07-24T01:28:03Z","subjects":["trauma theory","victimized victimizers","In Cold Blood","The Amazing Adventures of Kavalier & Clay","Truman Capote","Michael Chabon","Perry Smith","Josef Kavalier","Cathy Caruth","Dominick LaCapra","English Language and Literature"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarsarchive.byu.edu/etd/592","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Jeo, Noella"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2005-07-13T07:00:00Z"]},{"key":"dc:publisher","label":"Institution","values":["Brigham Young University - Provo"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["trauma theory","victimized victimizers","In Cold Blood","The Amazing Adventures of Kavalier & Clay","Truman Capote","Michael Chabon","Perry Smith","Josef Kavalier","Cathy Caruth","Dominick LaCapra","English Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarsarchive.byu.edu/etd/592","https://scholarsarchive.byu.edu/context/etd/article/1591/viewcontent/ETD_CISOPTR_412.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Humanities; English"]},{"key":"dc:description.abstract","label":"Abstract","values":["<p>In literary trauma theory, victimized victimizers represent an ambiguous area. In my thesis, I show how Perry Smith, a historical figure in Truman Capote's <em>In Cold Blood</em>, and Josef Kavalier, a fictional character in Michael Chabon's <em>The Amazing Adventures of Kavalier & Clay</em>, represent these ambiguities. Both men become murderers acting out violence that was inflicted upon them as children. However, only Kavalier seems to work through the trauma.</p>"]},{"key":"dc:format","label":"Dc Format","values":["application:pdf"]},{"key":"dc:source","label":"Dc Source","values":["Brigham Young University - Provo"]},{"key":"dc:title","label":"Title","values":["Perry Smith and Josef Kavalier: Historical and Literary Victimized Victimizers"]}]}],"canonical_facts":{"dc:creator":["Jeo, Noella"],"dc:date":["2005-07-13T07:00:00Z"],"dc:description":["Humanities; English"],"dc:description.abstract":["<p>In literary trauma theory, victimized victimizers represent an ambiguous area. In my thesis, I show how Perry Smith, a historical figure in Truman Capote's <em>In Cold Blood</em>, and Josef Kavalier, a fictional character in Michael Chabon's <em>The Amazing Adventures of Kavalier & Clay</em>, represent these ambiguities. Both men become murderers acting out violence that was inflicted upon them as children. 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