{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/84111"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/84111","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"Die Radikalen Tasten (2019): Concerto for Organ with Keyboard Ensemble","abstract":"Ph.D.","abstract_html":"Ph.D.","abstract_has_math":false,"creators":["Lee, Seungeun; 0000-0001-9015-5126"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Felder, David","Music"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-06-21T17:32:33Z","date_published":"2022-06-21T17:32:33Z","updated_at":"2026-07-27T19:05:30Z","subjects":["musical composition"],"languages":["eng"],"rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10477/84111","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Felder, David","Music"]},{"key":"dc:creator","label":"Author","values":["Lee, Seungeun; 0000-0001-9015-5126"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2022-06-21T17:32:33Z","2020"]},{"key":"dc:publisher","label":"Institution","values":["State University of New York at Buffalo"]},{"key":"dc:relation","label":"Dc Relation","values":["Supplementary file: LeeSeungeun_DieRadikalenTasten-2019.mp3 (live performance)"]},{"key":"dc:type","label":"Dc Type","values":["Text","Dissertation","Audio","Recording, musical"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["musical composition"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/10477/84111"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Ph.D.","There is a Korean protest and grass-roots activist song called \"Marching for Our Beloved\" which was originally written for the spirit wedding of an activist who died in the Gwangju (Kwangju) Democratic Uprising on May 18, 1980, and his beloved, who was also a labor rights activist. Over time, the song has represented the symbolic significance of the grief of those who died fighting for their democratic rights and the numerous victims from the massacre in May 1980 in Gwangju. Furthermore, the song has been popular for activists and protesters in other Asian countries, including those participating in the on-going Hong Kong protests this year. However, this song has been the cause of conflict between progressives and conservatives over the years in South Korea, with the latter reluctant to designate it as the official anthem for every annual May 18 ceremony. I strongly believe this message should be spread further and wider with old and new musical languages; Die Radikalen Tasten (2019) concerto for organ with keyboard ensemble, incorporated a quotation of the original tune of \"Marching for Our Beloved\" and the harmonic structure is based on the tune, but worked in microtonality. I became fascinated by the detuned like effect produced on the organ when its stops are pulled slowly. Also, certain combinations of stops with the tremolo feature create an electronic like timbre (which you wouldn't expect from conventional organ music) with the reinforcement of harpsichord & vibraphone and extended techniques on piano.","**To request an accessible version of the file(s) associated with this item, contact library@buffalo.edu. Please include the item's persistent URL [http://hdl.handle.net/. . .] in your request.**"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","audio/mp3"]},{"key":"dc:title","label":"Title","values":["Die Radikalen Tasten (2019): Concerto for Organ with Keyboard Ensemble"]}]}],"canonical_facts":{"dc:contributor":["Felder, David","Music"],"dc:creator":["Lee, Seungeun; 0000-0001-9015-5126"],"dc:date":["2022-06-21T17:32:33Z","2020"],"dc:description":["Ph.D.","There is a Korean protest and grass-roots activist song called \"Marching for Our Beloved\" which was originally written for the spirit wedding of an activist who died in the Gwangju (Kwangju) Democratic Uprising on May 18, 1980, and his beloved, who was also a labor rights activist. Over time, the song has represented the symbolic significance of the grief of those who died fighting for their democratic rights and the numerous victims from the massacre in May 1980 in Gwangju. Furthermore, the song has been popular for activists and protesters in other Asian countries, including those participating in the on-going Hong Kong protests this year. However, this song has been the cause of conflict between progressives and conservatives over the years in South Korea, with the latter reluctant to designate it as the official anthem for every annual May 18 ceremony. I strongly believe this message should be spread further and wider with old and new musical languages; Die Radikalen Tasten (2019) concerto for organ with keyboard ensemble, incorporated a quotation of the original tune of \"Marching for Our Beloved\" and the harmonic structure is based on the tune, but worked in microtonality. I became fascinated by the detuned like effect produced on the organ when its stops are pulled slowly. Also, certain combinations of stops with the tremolo feature create an electronic like timbre (which you wouldn't expect from conventional organ music) with the reinforcement of harpsichord & vibraphone and extended techniques on piano.","**To request an accessible version of the file(s) associated with this item, contact library@buffalo.edu. Please include the item's persistent URL [http://hdl.handle.net/. . .] in your request.**"],"dc:format":["application/pdf","audio/mp3"],"dc:identifier":["http://hdl.handle.net/10477/84111"],"dc:language":["eng"],"dc:publisher":["State University of New York at Buffalo"],"dc:relation":["Supplementary file: LeeSeungeun_DieRadikalenTasten-2019.mp3 (live performance)"],"dc:rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"dc:subject":["musical composition"],"dc:title":["Die Radikalen Tasten (2019): Concerto for Organ with Keyboard Ensemble"],"dc:type":["Text","Dissertation","Audio","Recording, musical"]},"updated_at":"2026-07-27T19:05:30Z"}