{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/83852"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/83852","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"Into the Digital Universe: Digital Cameras from Electromagnetism to Recognition—A Practice-Based Theory","abstract":"Ph.D.","abstract_html":"Ph.D.","abstract_has_math":false,"creators":["Granata, Yvette"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Rueb, Teri","Media Study"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-06-17T19:54:47Z","date_published":"2022-06-17T19:54:47Z","updated_at":"2026-07-27T19:05:28Z","subjects":["multimedia communications","fine arts","film studies"],"languages":["eng"],"rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. 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University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/10477/83852"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Ph.D.","This dissertation puts forth a novel presentation of the digital camera. Through analysis of digital optics, image processing, and machine recognition, I chart the specificities of digital camera technologies as having their own form of digital index. By beginning at the turn of the century with the development of the thermal camera—a camera that came into existence in the electronic age—I tell a different narrative of digital cameras, or what I call a ‘digital-only’ camera. From the thermal camera’s optics, I move to digital image processing as a specific form of processing of photography. Across the chapters, I build the foundation for a new theory of the digital camera after the simulation of analog photography and after computer graphics. Case studies highlight the specifics of digital camera processes through an analysis of various kinds of cultural practices and artworks, including my own media art experiments. Analyses of case studies is further framed through the lens of the practices of users, artists, programmers, and ultimately, through a newly constructed inhuman observer with machine recognition. Through both case study analysis of digital camera processes deployed in contemporary digital culture and my own media art experiments, I propose a specificity of digital camera processes as computations of photography. My media art works propose creative ways to frame digital image processing and present a speculative form of digital cameras. This dissertation is proposed as a hybrid research–practice. A selected subset of the artworks created for public exhibition are presented within the dissertation’s conceptual framework. In this way, the dissertation method is a multi-modal inquiry through practice-based media art experimentations alongside technical and cultural analysis.","**To request an accessible version of the file(s) associated with this item, contact library@buffalo.edu. Please include the item's persistent URL [http://hdl.handle.net/. . .] in your request.**"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Into the Digital Universe: Digital Cameras from Electromagnetism to Recognition—A Practice-Based Theory"]}]}],"canonical_facts":{"dc:contributor":["Rueb, Teri","Media Study"],"dc:creator":["Granata, Yvette"],"dc:date":["2022-06-17T19:54:47Z","2020"],"dc:description":["Ph.D.","This dissertation puts forth a novel presentation of the digital camera. Through analysis of digital optics, image processing, and machine recognition, I chart the specificities of digital camera technologies as having their own form of digital index. By beginning at the turn of the century with the development of the thermal camera—a camera that came into existence in the electronic age—I tell a different narrative of digital cameras, or what I call a ‘digital-only’ camera. From the thermal camera’s optics, I move to digital image processing as a specific form of processing of photography. Across the chapters, I build the foundation for a new theory of the digital camera after the simulation of analog photography and after computer graphics. Case studies highlight the specifics of digital camera processes through an analysis of various kinds of cultural practices and artworks, including my own media art experiments. Analyses of case studies is further framed through the lens of the practices of users, artists, programmers, and ultimately, through a newly constructed inhuman observer with machine recognition. Through both case study analysis of digital camera processes deployed in contemporary digital culture and my own media art experiments, I propose a specificity of digital camera processes as computations of photography. My media art works propose creative ways to frame digital image processing and present a speculative form of digital cameras. This dissertation is proposed as a hybrid research–practice. A selected subset of the artworks created for public exhibition are presented within the dissertation’s conceptual framework. In this way, the dissertation method is a multi-modal inquiry through practice-based media art experimentations alongside technical and cultural analysis.","**To request an accessible version of the file(s) associated with this item, contact library@buffalo.edu. Please include the item's persistent URL [http://hdl.handle.net/. . .] in your request.**"],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/10477/83852"],"dc:language":["eng"],"dc:publisher":["State University of New York at Buffalo"],"dc:rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"dc:subject":["multimedia communications","fine arts","film studies"],"dc:title":["Into the Digital Universe: Digital Cameras from Electromagnetism to Recognition—A Practice-Based Theory"],"dc:type":["Text","Dissertation"]},"updated_at":"2026-07-27T19:05:28Z"}