{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/80850"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/80850","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"\"Where Is Everything?\": Museology from the Archaeological Perspective as Tested at the Sinking Ponds Site","abstract":"Ph.D.","abstract_html":"Ph.D.","abstract_has_math":false,"creators":["Wolff, Samantha"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Chevral, Timothy","Anthropology"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-10-29T16:47:32Z","date_published":"2019-10-29T16:47:32Z","updated_at":"2026-07-27T19:05:25Z","subjects":["archaeology","museum studies"],"languages":["eng"],"rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10477/80850","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Chevral, Timothy","Anthropology"]},{"key":"dc:creator","label":"Author","values":["Wolff, Samantha"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2019-10-29T16:47:32Z","2019","2019-07-15 21:51:36"]},{"key":"dc:publisher","label":"Institution","values":["State University of New York at Buffalo"]},{"key":"dc:type","label":"Dc Type","values":["Text","Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["archaeology","museum studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/10477/80850"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Ph.D.","The research in this dissertation focuses on how the substantial growth of archaeological research over the years has affected museum collections. Due to the increased rates of collection, museums have become repositories of an overabundance of material that can be extremely useful to researchers when archaeological sites come under further development or become scarce. The field of computing and digital technology has only in recent years become a widely discussed topic in its application concerning archaeological research and collections. This dissertation evaluates the attitudes of museums toward collections and aims to create groundwork for a future dialogue in managing those collections,maintaining an ethical responsibility toward the public, including marginal groups. This work also evaluates the usage of Quick Response (QR) codes as a form of artifact labeling tested on the collection of primarily prehistoric artifacts from the Sinking Ponds site in East Aurora, New York. This case study determines that more work into the use of QR codes as a labeling alternative is needed, as limited work has been undertaken concerning its utilization. A re-analysis of originally excavated material at SinkingPonds is also presented, illustrating the differences in the interpretation of an originally conceived prehistoric Meadowood Period site versus the reinterpretation of the same site as a prehistoric multi-component occupation, as well as the differences in archaeological investigation and interpretation over the course of time."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["\"Where Is Everything?\": Museology from the Archaeological Perspective as Tested at the Sinking Ponds Site"]}]}],"canonical_facts":{"dc:contributor":["Chevral, Timothy","Anthropology"],"dc:creator":["Wolff, Samantha"],"dc:date":["2019-10-29T16:47:32Z","2019","2019-07-15 21:51:36"],"dc:description":["Ph.D.","The research in this dissertation focuses on how the substantial growth of archaeological research over the years has affected museum collections. Due to the increased rates of collection, museums have become repositories of an overabundance of material that can be extremely useful to researchers when archaeological sites come under further development or become scarce. The field of computing and digital technology has only in recent years become a widely discussed topic in its application concerning archaeological research and collections. This dissertation evaluates the attitudes of museums toward collections and aims to create groundwork for a future dialogue in managing those collections,maintaining an ethical responsibility toward the public, including marginal groups. This work also evaluates the usage of Quick Response (QR) codes as a form of artifact labeling tested on the collection of primarily prehistoric artifacts from the Sinking Ponds site in East Aurora, New York. This case study determines that more work into the use of QR codes as a labeling alternative is needed, as limited work has been undertaken concerning its utilization. A re-analysis of originally excavated material at SinkingPonds is also presented, illustrating the differences in the interpretation of an originally conceived prehistoric Meadowood Period site versus the reinterpretation of the same site as a prehistoric multi-component occupation, as well as the differences in archaeological investigation and interpretation over the course of time."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/10477/80850"],"dc:language":["eng"],"dc:publisher":["State University of New York at Buffalo"],"dc:rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"dc:subject":["archaeology","museum studies"],"dc:title":["\"Where Is Everything?\": Museology from the Archaeological Perspective as Tested at the Sinking Ponds Site"],"dc:type":["Text","Dissertation"]},"updated_at":"2026-07-27T19:05:25Z"}