{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/79988"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/79988","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"A Rave at the End of World: The Politics of Queer Hauntology and Psychedelic Chronomancy","abstract":"M.F.A.","abstract_html":"M.F.A.","abstract_has_math":false,"creators":["Feiner, Sean; 0000-0002-2127-2406"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Anstey, Josephine","Media Study"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-07-30T15:11:39Z","date_published":"2019-07-30T15:11:39Z","updated_at":"2026-07-27T19:05:21Z","subjects":["performing arts","art criticism","LGBTQ studies"],"languages":["eng"],"rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10477/79988","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Anstey, Josephine","Media Study"]},{"key":"dc:creator","label":"Author","values":["Feiner, Sean; 0000-0002-2127-2406"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2019-07-30T15:11:39Z","2019","2019-05-16 15:32:56"]},{"key":"dc:publisher","label":"Institution","values":["State University of New York at Buffalo"]},{"key":"dc:type","label":"Dc Type","values":["Text","Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["performing arts","art criticism","LGBTQ studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/10477/79988"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["M.F.A.","This project is a historical and theoretical exploration of the global phenomenon of underground dance music culture known as the rave. In particular, the project asks what is the history, technologies, and practices that lead to historical examples of rave culture and contemporary rave practices. The rise of fascism and neofascism in Western democracies in recent years is compared to the politics and tactics of rave culture. Drawing on the work of Mark Fisher and Jose Muñoz this thesis explores issues of queer resistant practice, identified as queer hauntology, and anti-capitalist temporal thinking and organizing against neoliberal control society, identified as psychedelic chronomancy. The project lays out a theoretical or methodological toolkit, then a history of dance music and queer nightlife cultures, and then turns to an experimental personal narrative ethnography. In doing so the project wishes to ask how hauntological mechanisms allow for thinking beyond heterosexual straight neoliberal time and domination, and how the rave is a vessel and mechanism of assemblage thinking and decentralized political efforts to imagine and rescue lost futures."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["A Rave at the End of World: The Politics of Queer Hauntology and Psychedelic Chronomancy"]}]}],"canonical_facts":{"dc:contributor":["Anstey, Josephine","Media Study"],"dc:creator":["Feiner, Sean; 0000-0002-2127-2406"],"dc:date":["2019-07-30T15:11:39Z","2019","2019-05-16 15:32:56"],"dc:description":["M.F.A.","This project is a historical and theoretical exploration of the global phenomenon of underground dance music culture known as the rave. In particular, the project asks what is the history, technologies, and practices that lead to historical examples of rave culture and contemporary rave practices. The rise of fascism and neofascism in Western democracies in recent years is compared to the politics and tactics of rave culture. Drawing on the work of Mark Fisher and Jose Muñoz this thesis explores issues of queer resistant practice, identified as queer hauntology, and anti-capitalist temporal thinking and organizing against neoliberal control society, identified as psychedelic chronomancy. The project lays out a theoretical or methodological toolkit, then a history of dance music and queer nightlife cultures, and then turns to an experimental personal narrative ethnography. 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University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"dc:subject":["performing arts","art criticism","LGBTQ studies"],"dc:title":["A Rave at the End of World: The Politics of Queer Hauntology and Psychedelic Chronomancy"],"dc:type":["Text","Thesis"]},"updated_at":"2026-07-27T19:05:21Z"}