{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/79356"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/79356","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"Thèâtre du Soleil's Écriture Feminine in A Room in India","abstract":"M.A.","abstract_html":"M.A.","abstract_has_math":false,"creators":["Kerr, Rachel; 0000-0002-3245-7254"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Laine, Eero","Theatre and Dance"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-04-04T20:30:46Z","date_published":"2019-04-04T20:30:46Z","updated_at":"2026-07-27T19:05:16Z","subjects":["theater"],"languages":["eng"],"rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10477/79356","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Laine, Eero","Theatre and Dance"]},{"key":"dc:creator","label":"Author","values":["Kerr, Rachel; 0000-0002-3245-7254"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2019-04-04T20:30:46Z","2019","2018-12-19 17:39:34"]},{"key":"dc:publisher","label":"Institution","values":["State University of New York at Buffalo"]},{"key":"dc:type","label":"Dc Type","values":["Text","Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["theater"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/10477/79356"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["M.A.","This thesis focuses on Ariane Mnouchkine and Thèâtre du Soleil relative to their unique methodologies through which they have developed a dynamic feminine theatrical voice. Described by Hélène Cixous as écriture feminine (feminine writing), the Soleil’s original voice is apparent in their collective practices, creative processes, production content, and performance conceits. I claim that the Soleil’s sustains an artistic rebellion that rejects essentialist, patriarchal ideologies. That rebellion emanates through their feminine writing voice and is illuminated through their collective practices, artistic process, historiographical efforts, and theatrical languages. The Soleil’s innovative feminine creative voice is analyzed through their production, A Room in India (2016). Long time Thèâtre du Soleil collaborator, Hélène Cixous, provides key perspectives relative to their unique feminist modes. Judith G. Miller, a Soleil scholar, also contributes essential concepts that assist in developing the argument that Thèâtre du Soleil manifests an original feminine writing voice."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Thèâtre du Soleil's Écriture Feminine in A Room in India"]}]}],"canonical_facts":{"dc:contributor":["Laine, Eero","Theatre and Dance"],"dc:creator":["Kerr, Rachel; 0000-0002-3245-7254"],"dc:date":["2019-04-04T20:30:46Z","2019","2018-12-19 17:39:34"],"dc:description":["M.A.","This thesis focuses on Ariane Mnouchkine and Thèâtre du Soleil relative to their unique methodologies through which they have developed a dynamic feminine theatrical voice. Described by Hélène Cixous as écriture feminine (feminine writing), the Soleil’s original voice is apparent in their collective practices, creative processes, production content, and performance conceits. I claim that the Soleil’s sustains an artistic rebellion that rejects essentialist, patriarchal ideologies. That rebellion emanates through their feminine writing voice and is illuminated through their collective practices, artistic process, historiographical efforts, and theatrical languages. The Soleil’s innovative feminine creative voice is analyzed through their production, A Room in India (2016). Long time Thèâtre du Soleil collaborator, Hélène Cixous, provides key perspectives relative to their unique feminist modes. Judith G. Miller, a Soleil scholar, also contributes essential concepts that assist in developing the argument that Thèâtre du Soleil manifests an original feminine writing voice."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/10477/79356"],"dc:language":["eng"],"dc:publisher":["State University of New York at Buffalo"],"dc:rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"dc:subject":["theater"],"dc:title":["Thèâtre du Soleil's Écriture Feminine in A Room in India"],"dc:type":["Text","Thesis"]},"updated_at":"2026-07-27T19:05:16Z"}