{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/78514"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/78514","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"Beyond Content: Exploring the Effects of Narrative Structure on Entertainment Experience","abstract":"Ph.D.","abstract_html":"Ph.D.","abstract_has_math":false,"creators":["Huang, Jialing"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Grizzard, Matthew","Communication"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-10-26T02:54:39Z","date_published":"2018-10-26T02:54:39Z","updated_at":"2026-07-27T19:05:09Z","subjects":["communication","film studies"],"languages":["eng"],"rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10477/78514","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Grizzard, Matthew","Communication"]},{"key":"dc:creator","label":"Author","values":["Huang, Jialing"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2018-10-26T02:54:39Z","2018","2018-07-12 11:27:05"]},{"key":"dc:publisher","label":"Institution","values":["State University of New York at Buffalo"]},{"key":"dc:type","label":"Dc Type","values":["Text","Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["communication","film studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/10477/78514"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Ph.D.","The past decade has seen a flurry of interest from entertainment media scholars regarding differentiating enjoyment and appreciation of entertainment content. Several approaches exist, with most of them associating media appreciation and enjoyment with different types of content. Little is known about how individuals might derive enjoyment and appreciation from the same content presented in differing narrative structures. The present study empirically tests the effect of narrative structure, specifically, whether a story is told chronologically or non-chronologically, on audiences’ responses. By manipulating the structure of two films (i.e., Pulp Fiction and Memento), the present study found that non-chronological versions of a narrative are more enjoyed and appreciated than the chronological versions. Also, non-chronological versions of a narrative are perceived to be more impressive, classic, artistic, suspenseful, transporting, and favorable, than chronological ones. Interestingly, narrative structure also affected perceptions of characters in terms of likability and importance. This study thus contributes to the social scientific literature by showing that the style of a film apart from its content is an important determinant of entertainment experiences. To date, content has dominated the theoretical approaches within media psychology and communication. Theoretical implications related to the conceptualization of media enjoyment and appreciation are discussed."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Beyond Content: Exploring the Effects of Narrative Structure on Entertainment Experience"]}]}],"canonical_facts":{"dc:contributor":["Grizzard, Matthew","Communication"],"dc:creator":["Huang, Jialing"],"dc:date":["2018-10-26T02:54:39Z","2018","2018-07-12 11:27:05"],"dc:description":["Ph.D.","The past decade has seen a flurry of interest from entertainment media scholars regarding differentiating enjoyment and appreciation of entertainment content. Several approaches exist, with most of them associating media appreciation and enjoyment with different types of content. Little is known about how individuals might derive enjoyment and appreciation from the same content presented in differing narrative structures. The present study empirically tests the effect of narrative structure, specifically, whether a story is told chronologically or non-chronologically, on audiences’ responses. By manipulating the structure of two films (i.e., Pulp Fiction and Memento), the present study found that non-chronological versions of a narrative are more enjoyed and appreciated than the chronological versions. Also, non-chronological versions of a narrative are perceived to be more impressive, classic, artistic, suspenseful, transporting, and favorable, than chronological ones. Interestingly, narrative structure also affected perceptions of characters in terms of likability and importance. This study thus contributes to the social scientific literature by showing that the style of a film apart from its content is an important determinant of entertainment experiences. To date, content has dominated the theoretical approaches within media psychology and communication. Theoretical implications related to the conceptualization of media enjoyment and appreciation are discussed."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/10477/78514"],"dc:language":["eng"],"dc:publisher":["State University of New York at Buffalo"],"dc:rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"dc:subject":["communication","film studies"],"dc:title":["Beyond Content: Exploring the Effects of Narrative Structure on Entertainment Experience"],"dc:type":["Text","Dissertation"]},"updated_at":"2026-07-27T19:05:09Z"}