{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/78491"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/78491","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"Unwound Path","abstract":"Ph.D.","abstract_html":"Ph.D.","abstract_has_math":false,"creators":["Sargent, Matthew"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Felder, David","Music"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-10-26T02:54:13Z","date_published":"2018-10-26T02:54:13Z","updated_at":"2026-07-27T19:05:09Z","subjects":["musical composition"],"languages":["eng"],"rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10477/78491","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Felder, David","Music"]},{"key":"dc:creator","label":"Author","values":["Sargent, Matthew"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2018-10-26T02:54:13Z","2018","2018-05-04 23:45:37"]},{"key":"dc:publisher","label":"Institution","values":["State University of New York at Buffalo"]},{"key":"dc:relation","label":"Dc Relation","values":["Supplementary file: Sargent_Switch_UnwoundPath.wav (audio), Recording of Unwound Path, [Switch~] Ensemble, Jason Buchanan, conductor"]},{"key":"dc:type","label":"Dc Type","values":["Text","Dissertation","Audio","Recording, musical"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["musical composition"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/10477/78491"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Ph.D.","A new composition for chamber ensemble (flute, clarinet, violin, cello, piano, and percussion). The piece utilizes extended instrumental techniques, spectral analysis within acoustic orchestration, algorithmic generation of melodic materials, and compositional development through repetition and gradual morphological changes of musical events. Unwound Path began from a poem by Robert Creeley, entitled “Kitchen.” Over the twelve lines of the poem, Creeley details three markers of the quiet passage of time within the stillness of one’s day: the “lace-like patterns” that sunlight reflects about the room in the morning, the silence of noon, and in the evening, a line that reflects about the wider passage of time, “perpetually sweeping this room, I want it to be like it was.”The poem’s exposure of the circadian repetition – the habitual periods that compose one’s life – formed into a kind of musical thinking that I sought to work out through writing this piece. As the title, Unwound Path, suggests, the music slowly unravels, built almost entirely, somewhat obsessively, from a single unfolding melody, which is heard again and again across the score in many different forms. There is an element of obsession, rehearing, and stillness to the music that, I hope, pervades the listening experience."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","audio/wav"]},{"key":"dc:title","label":"Title","values":["Unwound Path"]}]}],"canonical_facts":{"dc:contributor":["Felder, David","Music"],"dc:creator":["Sargent, Matthew"],"dc:date":["2018-10-26T02:54:13Z","2018","2018-05-04 23:45:37"],"dc:description":["Ph.D.","A new composition for chamber ensemble (flute, clarinet, violin, cello, piano, and percussion). The piece utilizes extended instrumental techniques, spectral analysis within acoustic orchestration, algorithmic generation of melodic materials, and compositional development through repetition and gradual morphological changes of musical events. Unwound Path began from a poem by Robert Creeley, entitled “Kitchen.” Over the twelve lines of the poem, Creeley details three markers of the quiet passage of time within the stillness of one’s day: the “lace-like patterns” that sunlight reflects about the room in the morning, the silence of noon, and in the evening, a line that reflects about the wider passage of time, “perpetually sweeping this room, I want it to be like it was.”The poem’s exposure of the circadian repetition – the habitual periods that compose one’s life – formed into a kind of musical thinking that I sought to work out through writing this piece. As the title, Unwound Path, suggests, the music slowly unravels, built almost entirely, somewhat obsessively, from a single unfolding melody, which is heard again and again across the score in many different forms. There is an element of obsession, rehearing, and stillness to the music that, I hope, pervades the listening experience."],"dc:format":["application/pdf","audio/wav"],"dc:identifier":["http://hdl.handle.net/10477/78491"],"dc:language":["eng"],"dc:publisher":["State University of New York at Buffalo"],"dc:relation":["Supplementary file: Sargent_Switch_UnwoundPath.wav (audio), Recording of Unwound Path, [Switch~] Ensemble, Jason Buchanan, conductor"],"dc:rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"dc:subject":["musical composition"],"dc:title":["Unwound Path"],"dc:type":["Text","Dissertation","Audio","Recording, musical"]},"updated_at":"2026-07-27T19:05:09Z"}