{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/78137"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/78137","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"Cross-Sensory Perception in Music and Visual Media: A Neurocognitive Approach to Multimedia Counterpoint","abstract":"Ph.D.","abstract_html":"Ph.D.","abstract_has_math":false,"creators":["Louden, Sarah; 0000-0002-5414-7361"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Plotkin, Richard","Music"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-06-28T20:34:47Z","date_published":"2018-06-28T20:34:47Z","updated_at":"2026-07-27T19:05:09Z","subjects":["music theory","neurosciences","multimedia communications"],"languages":["eng"],"rights":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10477/78137","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Plotkin, Richard","Music"]},{"key":"dc:creator","label":"Author","values":["Louden, Sarah; 0000-0002-5414-7361"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2018-06-28T20:34:47Z","2018","2018-05-25 02:31:41"]},{"key":"dc:publisher","label":"Institution","values":["State University of New York at Buffalo"]},{"key":"dc:relation","label":"Dc Relation","values":["Supplementary files: Louden_supplemental_dissertation_website.zip (webpage), supplemental audiovisual website examples"]},{"key":"dc:type","label":"Dc Type","values":["Text","Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["music theory","neurosciences","multimedia communications"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Users of works found in University at Buffalo Institutional Repository (UBIR) are responsible for identifying and contacting the copyright owner for permission to reuse. 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Research in crossmodal and intramodal association, crossmodal modulation, and multisensory integration is used to define the concept of a multimedia voice, to describe contrapuntal relationships between voices, and to explore the perceptual effects of those relationships in a work. The dissertation presents the Crossmodal and Intramodal Association (CIA) model to map relationships between music and visual parameters in three dimensions: type, intensity, and quality. The model is applied in two analyses: the “color crescendo” from Schoenberg’s opera Die glückliche Hand and a comparison of two scenes from Pink Floyd’s film The Wall."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Cross-Sensory Perception in Music and Visual Media: A Neurocognitive Approach to Multimedia Counterpoint"]}]}],"canonical_facts":{"dc:contributor":["Plotkin, Richard","Music"],"dc:creator":["Louden, Sarah; 0000-0002-5414-7361"],"dc:date":["2018-06-28T20:34:47Z","2018","2018-05-25 02:31:41"],"dc:description":["Ph.D.","Despite differences in language and methodology, the fields of music theory, multimedia studies, and cognitive neuroscience are exploring many of the same questions. This dissertation seeks to define and describe multimedia counterpoint using parallels between musical counterpoint and multisensory scene analysis. Research in crossmodal and intramodal association, crossmodal modulation, and multisensory integration is used to define the concept of a multimedia voice, to describe contrapuntal relationships between voices, and to explore the perceptual effects of those relationships in a work. The dissertation presents the Crossmodal and Intramodal Association (CIA) model to map relationships between music and visual parameters in three dimensions: type, intensity, and quality. 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University at Buffalo Libraries do not manage rights for copyright-protected works and cannot assist with permissions.","Copyright retained by author."],"dc:subject":["music theory","neurosciences","multimedia communications"],"dc:title":["Cross-Sensory Perception in Music and Visual Media: A Neurocognitive Approach to Multimedia Counterpoint"],"dc:type":["Text","Dissertation"]},"updated_at":"2026-07-27T19:05:09Z"}