{"id":{"repo_id":"buffalo","oai_identifier":"oai:ubir.buffalo.edu:10477/21737"},"canonical_url":"https://search.dev.ndltd.org/etd/buffalo/oai:ubir.buffalo.edu:10477/21737","repository":{"repo_id":"buffalo","name":"Buffalo","base_url":"https://ubir.buffalo.edu/oai/request"},"display":{"title":"Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction","abstract":"Transcriptions: No. 43, Judica me, Deus / Andreas de Silva -- No. 44, Sub tuum predium / anonymous -- No. 45, Ecce nunc benedicite dominum / Andreas de Silva -- No. 46, In illo tempore sciens Jhesus / anonymous -- No. 47, Magne pater Augustine / anonymous -- No 48, Regum regum dominum / Costanzo Festa -- No. 49, Unde veniet / anonymous -- No. 50, Flete me celum et terra/Rex in solio sedens / Tromboncino -- No. 51, Memor esto verbi tui / Josquin -- No. 69, Virgo prudentissima / Heinrich Isaac -- No. 70, Anthoni pater inclite / Erasmus Lapicida -- No. 71, Cum pervenisset beatus Andreas/Securus et gaudens / Erasmus Lapicida -- No. 72, Cum pervenisset beatus Adreas/O bona crux / anonymous -- No. 75, Kirieleyson, Christeleyson, kyrieleison: Christe audi nos / anonymous -- No. 81, Quae est ista, quae processit / Antoine Brumel -- No. 82, Quam pulchra es / anonymous -- No. 83, Angelus ad pastores ait / anonymous -- No. 84, Ave virginum gemma Catherina / anonymous.","abstract_html":"Transcriptions: No. 43, Judica me, Deus / Andreas de Silva -- No. 44, Sub tuum predium / anonymous -- No. 45, Ecce nunc benedicite dominum / Andreas de Silva -- No. 46, In illo tempore sciens Jhesus / anonymous -- No. 47, Magne pater Augustine / anonymous -- No 48, Regum regum dominum / Costanzo Festa -- No. 49, Unde veniet / anonymous -- No. 50, Flete me celum et terra/Rex in solio sedens / Tromboncino -- No. 51, Memor esto verbi tui / Josquin -- No. 69, Virgo prudentissima / Heinrich Isaac -- No. 70, Anthoni pater inclite / Erasmus Lapicida -- No. 71, Cum pervenisset beatus Andreas/Securus et gaudens / Erasmus Lapicida -- No. 72, Cum pervenisset beatus Adreas/O bona crux / anonymous -- No. 75, Kirieleyson, Christeleyson, kyrieleison: Christe audi nos / anonymous -- No. 81, Quae est ista, quae processit / Antoine Brumel -- No. 82, Quam pulchra es / anonymous -- No. 83, Angelus ad pastores ait / anonymous -- No. 84, Ave virginum gemma Catherina / anonymous.","abstract_has_math":false,"creators":["Nuzzo, Nancy Bren"],"institution":"State University of New York at Buffalo","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-10-29T14:40:33Z","date_published":"2013-10-29T14:40:33Z","updated_at":"2026-07-27T19:05:05Z","subjects":["Music--Manuscripts","Music--15th century--History and criticism","Music--16th century--History and criticism","Manuscripts--Conservation and restoration","Music--Manuscripts--Facsimiles","Motets"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["Nuzzo, Nancy Bren. Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction. Thesis (M.A.) State University of New York at Buffalo, 1999."],"render_values":[{"text":"Nuzzo, Nancy Bren. Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction. Thesis (M.A.) State University of New York at Buffalo, 1999.","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/10477/21737","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Nuzzo, Nancy Bren"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013-10-29T14:40:33Z","1999"]},{"key":"dc:publisher","label":"Institution","values":["State University of New York at Buffalo"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music--Manuscripts","Music--15th century--History and criticism","Music--16th century--History and criticism","Manuscripts--Conservation and restoration","Music--Manuscripts--Facsimiles","Motets"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["Nuzzo, Nancy Bren. Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction. Thesis (M.A.) State University of New York at Buffalo, 1999.","http://hdl.handle.net/10477/21737"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Transcriptions: No. 43, Judica me, Deus / Andreas de Silva -- No. 44, Sub tuum predium / anonymous -- No. 45, Ecce nunc benedicite dominum / Andreas de Silva -- No. 46, In illo tempore sciens Jhesus / anonymous -- No. 47, Magne pater Augustine / anonymous -- No 48, Regum regum dominum / Costanzo Festa -- No. 49, Unde veniet / anonymous -- No. 50, Flete me celum et terra/Rex in solio sedens / Tromboncino -- No. 51, Memor esto verbi tui / Josquin -- No. 69, Virgo prudentissima / Heinrich Isaac -- No. 70, Anthoni pater inclite / Erasmus Lapicida -- No. 71, Cum pervenisset beatus Andreas/Securus et gaudens / Erasmus Lapicida -- No. 72, Cum pervenisset beatus Adreas/O bona crux / anonymous -- No. 75, Kirieleyson, Christeleyson, kyrieleison: Christe audi nos / anonymous -- No. 81, Quae est ista, quae processit / Antoine Brumel -- No. 82, Quam pulchra es / anonymous -- No. 83, Angelus ad pastores ait / anonymous -- No. 84, Ave virginum gemma Catherina / anonymous.","Sixteen manuscript leaves now held by the University at Buffalo Music Library (US-BUu Ms. M/02/A3/p) are fragments of the tenor and superius partbooks from a probable set of four dating from ca. 1520. The thesis includes a comprehensive description of the manuscript; transcriptions of the texts and music of all musical works that are unique to this source, with critical notes; computer enhanced images of particularly problematic portions of the source; and a facsimile edition, produced by digital scanning, of the entire source. The manuscript includes motets by Andreas de Silva, Costanzo Festa, Bartolomeo Tromboncino, Josquin Desprez, Heinrich Isaac, Erasmus Lapicida, and Antoine Brumel."]},{"key":"dc:title","label":"Title","values":["Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction"]}]}],"canonical_facts":{"dc:creator":["Nuzzo, Nancy Bren"],"dc:date":["2013-10-29T14:40:33Z","1999"],"dc:description":["Transcriptions: No. 43, Judica me, Deus / Andreas de Silva -- No. 44, Sub tuum predium / anonymous -- No. 45, Ecce nunc benedicite dominum / Andreas de Silva -- No. 46, In illo tempore sciens Jhesus / anonymous -- No. 47, Magne pater Augustine / anonymous -- No 48, Regum regum dominum / Costanzo Festa -- No. 49, Unde veniet / anonymous -- No. 50, Flete me celum et terra/Rex in solio sedens / Tromboncino -- No. 51, Memor esto verbi tui / Josquin -- No. 69, Virgo prudentissima / Heinrich Isaac -- No. 70, Anthoni pater inclite / Erasmus Lapicida -- No. 71, Cum pervenisset beatus Andreas/Securus et gaudens / Erasmus Lapicida -- No. 72, Cum pervenisset beatus Adreas/O bona crux / anonymous -- No. 75, Kirieleyson, Christeleyson, kyrieleison: Christe audi nos / anonymous -- No. 81, Quae est ista, quae processit / Antoine Brumel -- No. 82, Quam pulchra es / anonymous -- No. 83, Angelus ad pastores ait / anonymous -- No. 84, Ave virginum gemma Catherina / anonymous.","Sixteen manuscript leaves now held by the University at Buffalo Music Library (US-BUu Ms. M/02/A3/p) are fragments of the tenor and superius partbooks from a probable set of four dating from ca. 1520. The thesis includes a comprehensive description of the manuscript; transcriptions of the texts and music of all musical works that are unique to this source, with critical notes; computer enhanced images of particularly problematic portions of the source; and a facsimile edition, produced by digital scanning, of the entire source. The manuscript includes motets by Andreas de Silva, Costanzo Festa, Bartolomeo Tromboncino, Josquin Desprez, Heinrich Isaac, Erasmus Lapicida, and Antoine Brumel."],"dc:identifier":["Nuzzo, Nancy Bren. Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction. Thesis (M.A.) State University of New York at Buffalo, 1999.","http://hdl.handle.net/10477/21737"],"dc:language":["en"],"dc:publisher":["State University of New York at Buffalo"],"dc:subject":["Music--Manuscripts","Music--15th century--History and criticism","Music--16th century--History and criticism","Manuscripts--Conservation and restoration","Music--Manuscripts--Facsimiles","Motets"],"dc:title":["Two fragmentary partbooks ca. 1520: transcriptions, variants, and photographic reconstruction"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T19:05:05Z"}