This thesis includes documents discovered by the
author while conducting research on Jan van Scorel in The
Netherlands and the implications of these documents. The
archival information brings the author to a two-fold conclusion:
l)that the Italianate style in the North Netherlands in
the 16th century was sponsored and spread in court circles
and that Jan van Scorel, in particular, found favorable contact
with the aristocracy throughout his career, and 2) that
Scorel' s vision, perhaps given additional direction by the
patronage of the Dutch court circle in the Vatican, was influenced
by the contemporary Roman art scene thus implicating
him the period style known as Mannerism.
","abstract_html":"<p>This thesis includes documents discovered by the</p> <p>author while conducting research on Jan van Scorel in The</p> <p>Netherlands and the implications of these documents. The</p> <p>archival information brings the author to a two-fold conclusion:</p> <p>l)that the Italianate style in the North Netherlands in</p> <p>the 16th century was sponsored and spread in court circles</p> <p>and that Jan van Scorel, in particular, found favorable contact</p> <p>with the aristocracy throughout his career, and 2) that</p> <p>Scorel' s vision, perhaps given additional direction by the</p> <p>patronage of the Dutch court circle in the Vatican, was influenced</p> <p>by the contemporary Roman art scene thus implicating</p> <p>him the period style known as Mannerism.</p>","abstract_has_math":false,"creators":["Faries, Molly Ann"],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Open Access","degree_discipline":"History of Art","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1972,"date_issued":"1972-01-01T08:00:00Z","date_published":"1972-01-01T08:00:00Z","updated_at":"2026-07-24T01:23:46Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://repository.brynmawr.edu/dissertations/131","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Faries, Molly Ann"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["1972-01-01T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["History of Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Open Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://repository.brynmawr.edu/dissertations/131"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis includes documents discovered by the
author while conducting research on Jan van Scorel in The
Netherlands and the implications of these documents. The
archival information brings the author to a two-fold conclusion:
l)that the Italianate style in the North Netherlands in
the 16th century was sponsored and spread in court circles
and that Jan van Scorel, in particular, found favorable contact
with the aristocracy throughout his career, and 2) that
Scorel' s vision, perhaps given additional direction by the
patronage of the Dutch court circle in the Vatican, was influenced
by the contemporary Roman art scene thus implicating
him the period style known as Mannerism.
"]},{"key":"dc:title","label":"Title","values":["Jan Van Scorel, His Style and Its Historical Context"]}]}],"canonical_facts":{"dc:creator":["Faries, Molly Ann"],"dc:date.available":["1972-01-01T08:00:00Z"],"dc:description.abstract":["This thesis includes documents discovered by the
author while conducting research on Jan van Scorel in The
Netherlands and the implications of these documents. The
archival information brings the author to a two-fold conclusion:
l)that the Italianate style in the North Netherlands in
the 16th century was sponsored and spread in court circles
and that Jan van Scorel, in particular, found favorable contact
with the aristocracy throughout his career, and 2) that
Scorel' s vision, perhaps given additional direction by the
patronage of the Dutch court circle in the Vatican, was influenced
by the contemporary Roman art scene thus implicating
him the period style known as Mannerism.
"],"dc:identifier":["https://repository.brynmawr.edu/dissertations/131"],"dc:title":["Jan Van Scorel, His Style and Its Historical Context"],"thesis:degree_discipline":["History of Art"],"thesis:degree_level":["Open Access"],"thesis:degree_name":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-24T01:23:46Z"}