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Bryn Mawr University

Art, Trade, and Patronage in Seventeenth-Century Lima: Francisco de Zurbarán's Commission for the Convent of La Encarnación

Abstract

dc:description.abstract

<p>Francisco de Zurbarán (1598-1664) was the most famous of the Sevillian painters who participated in the overseas art trade. The artist sent several hundred works to destinations in the viceroyalty of Peru during his career. While his participation in this long-distance endeavor can be documented between 1636 and 1662, a time span which covers the majority of his career, to date this aspect of the artist’s production has remained a minor focus of scholars.</p> <p>This dissertation uses the lost commission of 1646-47 that Zurbarán produced for the nuns of the convent of La Encarnación in Lima to help formulate a social history of the overseas art trade. Although the convent and its art treasures were lost, a large amount of documentary evidence remains with which the transaction can be reconstructed. This evidence includes the fortuitously detailed commission documents themselves and a court case that Zurbarán brought against the captain of a ship who damaged an earlier shipment of paintings the artist had sent to Portobelo in 1636. Also considered is Zurbarán’s technique and the logistics of packing and shipping works for delivery to distant patrons. This dissertation also examines the nature of female monastic patronage in the Post-Tridentine world. This was a world in which Spanish and Latin American nuns were limited by enclosure and other rules that came out of the Council of Trent, but it was a world in which these women thrived as patrons of the arts despite such limitations. Finally, a reconstruction of the lost commission is offered using the structure and language of the commission documents.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy (PhD)
Level thesis:degree_level
Open Access
Discipline thesis:degree_discipline
History of Art
Year
2009

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Kata, Lori

Subjects

dc:subject × 1

Identifiers

dc:identifier.*
Repository record dc:identifier
https://repository.brynmawr.edu/dissertations/27
OAI identifier oai:identifier
oai:repository.brynmawr.edu:dissertations-1026

Chain of custody

source
Harvested from
Bryn Mawr University
Base URL
repository.brynmawr.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Kata, Lori. Art, Trade, and Patronage in Seventeenth-Century Lima: Francisco de Zurbarán's Commission for the Convent of La Encarnación. Open Access thesis, 2009. https://repository.brynmawr.edu/dissertations/27