This dissertation offers an account of counter-reformation mystical texts and praxis with art historical applicability to Spanish painting of the Seventeenth Century— particularly the work of Diego Velázquez. The consequences of considering devotional practice and mystical experience in the analysis of Spanish painting in the siglo de oro yields new, more complete, and more intellectually satisfying readings of particular works. Without supplanting the long-established tradition of applying Flemish and Italian models to Diego Velázquez’ work, emphasis is placed on what is authentically Spanish in his accomplishments.
","abstract_html":"<p>This dissertation offers an account of counter-reformation mystical texts and <em>praxis</em> with art historical applicability to Spanish painting of the Seventeenth Century— particularly the work of Diego Velázquez. The consequences of considering devotional practice and mystical experience in the analysis of Spanish painting in the<em> siglo de oro</em> yields new, more complete, and more intellectually satisfying readings of particular works. Without supplanting the long-established tradition of applying Flemish and Italian models to Diego Velázquez’ work, emphasis is placed on what is authentically Spanish in his accomplishments.</p>","abstract_has_math":false,"creators":["Saporta, Lawrence L."],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Open Access","degree_discipline":"History of Art","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009-01-01T08:00:00Z","date_published":"2009-01-01T08:00:00Z","updated_at":"2026-07-24T01:23:36Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://repository.brynmawr.edu/dissertations/7","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Saporta, Lawrence L."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-02-12T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["History of Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Open Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://repository.brynmawr.edu/dissertations/7"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation offers an account of counter-reformation mystical texts and praxis with art historical applicability to Spanish painting of the Seventeenth Century— particularly the work of Diego Velázquez. The consequences of considering devotional practice and mystical experience in the analysis of Spanish painting in the siglo de oro yields new, more complete, and more intellectually satisfying readings of particular works. Without supplanting the long-established tradition of applying Flemish and Italian models to Diego Velázquez’ work, emphasis is placed on what is authentically Spanish in his accomplishments.
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