You get what you pay for : independent music and Canadian public policy

The aim of this MA thesis is to demonstrate how corporate concentration within the global music industry specifically affects the Canadian music industry's ability to compete for its own national audience as well as audiences worldwide. Federal public policies, regulatory regimes and subsidies are considered within the context of the structure of the global marketplace which is, in effect, an oligopoly controlled by four major corporations. Through an extensive literature review of political economy theory, Canadian public policies and music studies, as well as personal interviews conducted with Canadian musicians, entrepreneurs and public servants, I will situate my research within the body of political economy theory; present a detailed report of the structure of the global music industry; address the key players within the industry; describe the relationship between the major corporations and the independent companies operating in the industry; discuss how new technologies affect said relationships; consider the effectiveness of Canadian public policies in safeguarding the national music industry; and recommend steps that can be taken to remedy the shortcomings of Federal policies and regulatory regimes.

Name thesis:degree_name

M.A. Popular Culture

Level thesis:degree_level

Masters

Discipline thesis:degree_discipline

Faculty of Humanities

Department dc:contributor.department

Popular Culture Program

Grantor

Brock University

Year dc:date.issued

2008

Author dc:creator

• Testa, Jennifer.

• Music--Canada.
• Political planning--Canada.
• Sound recording industry.

Language dc:language.iso

eng

Handle dc:identifier.uri

http://hdl.handle.net/10464/2802

OAI identifier oai:identifier

oai:brocku.scholaris.ca:10464/2802