{"id":{"repo_id":"bridgewater","oai_identifier":"oai:vc.bridgew.edu:theses-1001"},"canonical_url":"https://search.dev.ndltd.org/etd/bridgewater/oai:vc.bridgew.edu:theses-1001","repository":{"repo_id":"bridgewater","name":"Bridgewater State University","base_url":"https://vc.bridgew.edu/do/oai/"},"display":{"title":"The Fallacy of Cultural Authenticity: The Simulacra and Cultural Appropriation in the Free Market through the Lens of Literature","abstract":"<p>I. The Individual’s Pursuit of Cultural Authenticity: Music and Materialism in E.L. Doctorow’s <em>Ragtime</em> and Nella Larsen’s <em>Quicksand</em></p> <p>II. ‘Buying’ Into Culture: The Effect of Commoditization on the Cultural Artifact in Willa Cather’s <em>The Professor’s House</em></p> <p>III. Selling Experience: The Fallacy of Memory & Influence of Late Capitalism on the Cultural Experience in Julian Barnes’ <em>England, England</em></p>","abstract_html":"&lt;p&gt;I. The Individual’s Pursuit of Cultural Authenticity: Music and Materialism in E.L. Doctorow’s &lt;em&gt;Ragtime&lt;/em&gt; and Nella Larsen’s &lt;em&gt;Quicksand&lt;/em&gt;&lt;/p&gt; &lt;p&gt;II. ‘Buying’ Into Culture: The Effect of Commoditization on the Cultural Artifact in Willa Cather’s &lt;em&gt;The Professor’s House&lt;/em&gt;&lt;/p&gt; &lt;p&gt;III. Selling Experience: The Fallacy of Memory &amp; Influence of Late Capitalism on the Cultural Experience in Julian Barnes’ &lt;em&gt;England, England&lt;/em&gt;&lt;/p&gt;","abstract_has_math":false,"creators":["Amuzzini, Christopher"],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["<p>Kimberly Davis (Thesis Advisor)</p> <p>Matthew Bell</p> <p>Benjamin Carson</p>"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-05-01T07:00:00Z","date_published":"2014-05-01T07:00:00Z","updated_at":"2026-07-24T01:22:00Z","subjects":["English Language and Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://vc.bridgew.edu/theses/6","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["<p>Kimberly Davis (Thesis Advisor)</p> <p>Matthew Bell</p> <p>Benjamin Carson</p>"]},{"key":"dc:creator","label":"Author","values":["Amuzzini, Christopher"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-05-28T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["English Language and Literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://vc.bridgew.edu/theses/6"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>I. The Individual’s Pursuit of Cultural Authenticity: Music and Materialism in E.L. Doctorow’s <em>Ragtime</em> and Nella Larsen’s <em>Quicksand</em></p> <p>II. ‘Buying’ Into Culture: The Effect of Commoditization on the Cultural Artifact in Willa Cather’s <em>The Professor’s House</em></p> <p>III. Selling Experience: The Fallacy of Memory & Influence of Late Capitalism on the Cultural Experience in Julian Barnes’ <em>England, England</em></p>"]},{"key":"dc:title","label":"Title","values":["The Fallacy of Cultural Authenticity: The Simulacra and Cultural Appropriation in the Free Market through the Lens of Literature"]}]}],"canonical_facts":{"dc:contributor":["<p>Kimberly Davis (Thesis Advisor)</p> <p>Matthew Bell</p> <p>Benjamin Carson</p>"],"dc:creator":["Amuzzini, Christopher"],"dc:date.available":["2014-05-28T07:00:00Z"],"dc:description.abstract":["<p>I. The Individual’s Pursuit of Cultural Authenticity: Music and Materialism in E.L. Doctorow’s <em>Ragtime</em> and Nella Larsen’s <em>Quicksand</em></p> <p>II. ‘Buying’ Into Culture: The Effect of Commoditization on the Cultural Artifact in Willa Cather’s <em>The Professor’s House</em></p> <p>III. Selling Experience: The Fallacy of Memory & Influence of Late Capitalism on the Cultural Experience in Julian Barnes’ <em>England, England</em></p>"],"dc:identifier":["https://vc.bridgew.edu/theses/6"],"dc:subject":["English Language and Literature"],"dc:title":["The Fallacy of Cultural Authenticity: The Simulacra and Cultural Appropriation in the Free Market through the Lens of Literature"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T01:22:00Z"}