{"id":{"repo_id":"brazil-ufba","oai_identifier":"oai:repositorio.ufba.br:ri/40530"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-ufba/oai:repositorio.ufba.br:ri/40530","repository":{"repo_id":"brazil-ufba","name":"Brazil UFBA","base_url":"https://repositorio.ufba.br/oai/request"},"display":{"title":"Nem nobre, nem selvagem: reflexões sobre arte indígena contemporânea de Abya Yala","abstract":"Abya Yala is a term opposed to the word America, a counterpoint of the colonial perspective. This dissertation presents thoughts on Contemporary Indigenous Art from Abya Yala, considering the historical factors and social constructions that permeate its formation as an artistic movement with an activist nature. Artworks and exhibitions of indigenous authors and themes have grown exponentially, demanding from curators, museums and spectators a greater understanding of their context, which school and higher education commonly neglects. This work, established in transdisciplinarity, navigates through art, ethnology, anthropology, history, museology and curatorship, aiming, through the cartographic method, to identify discourses in artistic productions, curatorial and expographic activities, proposing actions through art and exhibitions that have in mind the respect for the pluralities and singularities of the original peoples and their productions.","abstract_html":"Abya Yala is a term opposed to the word America, a counterpoint of the colonial perspective. This dissertation presents thoughts on Contemporary Indigenous Art from Abya Yala, considering the historical factors and social constructions that permeate its formation as an artistic movement with an activist nature. Artworks and exhibitions of indigenous authors and themes have grown exponentially, demanding from curators, museums and spectators a greater understanding of their context, which school and higher education commonly neglects. This work, established in transdisciplinarity, navigates through art, ethnology, anthropology, history, museology and curatorship, aiming, through the cartographic method, to identify discourses in artistic productions, curatorial and expographic activities, proposing actions through art and exhibitions that have in mind the respect for the pluralities and singularities of the original peoples and their productions.","abstract_has_math":false,"creators":["Britto, Lara Marques"],"institution":"Universidade Federad da Bahia","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-11-28","date_published":"2023-11-28","updated_at":"2026-07-27T22:07:47Z","subjects":["Arte Indígena Contemporânea","Exposições de arte indígena","Museus e povos originários"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://repositorio.ufba.br/handle/ri/40530","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Britto, Lara Marques"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-10-30T17:59:15Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-10-30T17:59:15Z"]},{"key":"dc:date.issued","label":"Date","values":["2023-11-28"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federad da Bahia"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arte Indígena Contemporânea","Exposições de arte indígena","Museus e povos originários"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://repositorio.ufba.br/handle/ri/40530"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Abya Yala is a term opposed to the word America, a counterpoint of the colonial perspective. This dissertation presents thoughts on Contemporary Indigenous Art from Abya Yala, considering the historical factors and social constructions that permeate its formation as an artistic movement with an activist nature. Artworks and exhibitions of indigenous authors and themes have grown exponentially, demanding from curators, museums and spectators a greater understanding of their context, which school and higher education commonly neglects. This work, established in transdisciplinarity, navigates through art, ethnology, anthropology, history, museology and curatorship, aiming, through the cartographic method, to identify discourses in artistic productions, curatorial and expographic activities, proposing actions through art and exhibitions that have in mind the respect for the pluralities and singularities of the original peoples and their productions."]},{"key":"dc:title","label":"Title","values":["Nem nobre, nem selvagem: reflexões sobre arte indígena contemporânea de Abya Yala"]}]}],"canonical_facts":{"dc:creator":["Britto, Lara Marques"],"dc:date.accessioned":["2024-10-30T17:59:15Z"],"dc:date.available":["2024-10-30T17:59:15Z"],"dc:date.issued":["2023-11-28"],"dc:description.abstract":["Abya Yala is a term opposed to the word America, a counterpoint of the colonial perspective. This dissertation presents thoughts on Contemporary Indigenous Art from Abya Yala, considering the historical factors and social constructions that permeate its formation as an artistic movement with an activist nature. Artworks and exhibitions of indigenous authors and themes have grown exponentially, demanding from curators, museums and spectators a greater understanding of their context, which school and higher education commonly neglects. This work, established in transdisciplinarity, navigates through art, ethnology, anthropology, history, museology and curatorship, aiming, through the cartographic method, to identify discourses in artistic productions, curatorial and expographic activities, proposing actions through art and exhibitions that have in mind the respect for the pluralities and singularities of the original peoples and their productions."],"dc:identifier.uri":["https://repositorio.ufba.br/handle/ri/40530"],"dc:language":["por"],"dc:publisher":["Universidade Federad da Bahia"],"dc:publisher.department":["Escola de Belas Artes"],"dc:rights":["Acesso Aberto"],"dc:subject":["Arte Indígena Contemporânea","Exposições de arte indígena","Museus e povos originários"],"dc:title":["Nem nobre, nem selvagem: reflexões sobre arte indígena contemporânea de Abya Yala"],"dc:type":["Dissertação"]},"updated_at":"2026-07-27T22:07:47Z"}