{"id":{"repo_id":"brazil-ufba","oai_identifier":"oai:repositorio.ufba.br:ri/38899"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-ufba/oai:repositorio.ufba.br:ri/38899","repository":{"repo_id":"brazil-ufba","name":"Brazil UFBA","base_url":"https://repositorio.ufba.br/oai/request"},"display":{"title":"Doze horas restantes: neotragédia grega e autoficção no hip hop de Atheatos","abstract":"Giannis Sakellariou, also known as Atheatos, is a former Greek basketball player and rapper who, in 2016, released the album Twelve Hours Left. The album, characterized as a concept album, as it uses recurring linguistic and musical elements that give it unity as a whole, focuses on the story of its protagonist, a man named Giannis, who lives in Greece during the economic crisis that hit the country between 2014 and 2016. This paper aims to analyze the album in terms of its own construction and its connections with Greek tragedy, by studying the basic elements of classical Greek drama and its conceptions of tragedy and the tragic hero (Fainlight and Littman, 2009), along with the proposal of a reading of the protagonist as an exercise in autofiction as a survival narrative, along the lines of Eneida Maria de Souza (2017). Six selected songs will be analyzed more closely: \"Prologue\", \"A society, a story\", \"My retrospective\", \"A good review\", \"Mysterious Life\", and \"Epilogue\". This monograph also presents an overview of the Greek economic, social, political and cultural situation, contextualized with the arrival of Hip Hop in Europe and Greece. Finally, it is intended to contribute to academic studies of hip hop in conjunction with themes of Greek tragedy, autofiction and points of intersection that may exist between these areas. Keywords: Atheatos; Hip Hop; Greek tragedy; Autofiction; Contemporary Greece.","abstract_html":"Giannis Sakellariou, also known as Atheatos, is a former Greek basketball player and rapper who, in 2016, released the album Twelve Hours Left. The album, characterized as a concept album, as it uses recurring linguistic and musical elements that give it unity as a whole, focuses on the story of its protagonist, a man named Giannis, who lives in Greece during the economic crisis that hit the country between 2014 and 2016. This paper aims to analyze the album in terms of its own construction and its connections with Greek tragedy, by studying the basic elements of classical Greek drama and its conceptions of tragedy and the tragic hero (Fainlight and Littman, 2009), along with the proposal of a reading of the protagonist as an exercise in autofiction as a survival narrative, along the lines of Eneida Maria de Souza (2017). Six selected songs will be analyzed more closely: "Prologue", "A society, a story", "My retrospective", "A good review", "Mysterious Life", and "Epilogue". This monograph also presents an overview of the Greek economic, social, political and cultural situation, contextualized with the arrival of Hip Hop in Europe and Greece. Finally, it is intended to contribute to academic studies of hip hop in conjunction with themes of Greek tragedy, autofiction and points of intersection that may exist between these areas. Keywords: Atheatos; Hip Hop; Greek tragedy; Autofiction; Contemporary Greece.","abstract_has_math":false,"creators":["Santos, Victor de São Tiago"],"institution":"Universidade Federal da Bahia","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-12-15","date_published":"2023-12-15","updated_at":"2026-07-27T22:07:37Z","subjects":["Literatura","Hip Hop","Tragédia grega","Autoficção","Grécia contemporânea","Atheatos"],"languages":["por"],"rights":["CC0 1.0 Universal"],"rights_urls":["http://creativecommons.org/publicdomain/zero/1.0/"],"identifier_entries":[]},"links":{"outbound_url":"https://repositorio.ufba.br/handle/ri/38899","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Santos, Victor de São Tiago"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-01-19T17:20:58Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-01-19T17:20:58Z"]},{"key":"dc:date.issued","label":"Date","values":["2023-12-15"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal da Bahia"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Instituto de Letras"]},{"key":"dc:type","label":"Dc Type","values":["Trabalho de Conclusão de Curso"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literatura","Hip Hop","Tragédia grega","Autoficção","Grécia contemporânea","Atheatos"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["CC0 1.0 Universal"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://creativecommons.org/publicdomain/zero/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://repositorio.ufba.br/handle/ri/38899"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Giannis Sakellariou, also known as Atheatos, is a former Greek basketball player and rapper who, in 2016, released the album Twelve Hours Left. The album, characterized as a concept album, as it uses recurring linguistic and musical elements that give it unity as a whole, focuses on the story of its protagonist, a man named Giannis, who lives in Greece during the economic crisis that hit the country between 2014 and 2016. This paper aims to analyze the album in terms of its own construction and its connections with Greek tragedy, by studying the basic elements of classical Greek drama and its conceptions of tragedy and the tragic hero (Fainlight and Littman, 2009), along with the proposal of a reading of the protagonist as an exercise in autofiction as a survival narrative, along the lines of Eneida Maria de Souza (2017). Six selected songs will be analyzed more closely: \"Prologue\", \"A society, a story\", \"My retrospective\", \"A good review\", \"Mysterious Life\", and \"Epilogue\". This monograph also presents an overview of the Greek economic, social, political and cultural situation, contextualized with the arrival of Hip Hop in Europe and Greece. Finally, it is intended to contribute to academic studies of hip hop in conjunction with themes of Greek tragedy, autofiction and points of intersection that may exist between these areas. Keywords: Atheatos; Hip Hop; Greek tragedy; Autofiction; Contemporary Greece."]},{"key":"dc:title","label":"Title","values":["Doze horas restantes: neotragédia grega e autoficção no hip hop de Atheatos"]}]}],"canonical_facts":{"dc:creator":["Santos, Victor de São Tiago"],"dc:date.accessioned":["2024-01-19T17:20:58Z"],"dc:date.available":["2024-01-19T17:20:58Z"],"dc:date.issued":["2023-12-15"],"dc:description.abstract":["Giannis Sakellariou, also known as Atheatos, is a former Greek basketball player and rapper who, in 2016, released the album Twelve Hours Left. The album, characterized as a concept album, as it uses recurring linguistic and musical elements that give it unity as a whole, focuses on the story of its protagonist, a man named Giannis, who lives in Greece during the economic crisis that hit the country between 2014 and 2016. This paper aims to analyze the album in terms of its own construction and its connections with Greek tragedy, by studying the basic elements of classical Greek drama and its conceptions of tragedy and the tragic hero (Fainlight and Littman, 2009), along with the proposal of a reading of the protagonist as an exercise in autofiction as a survival narrative, along the lines of Eneida Maria de Souza (2017). Six selected songs will be analyzed more closely: \"Prologue\", \"A society, a story\", \"My retrospective\", \"A good review\", \"Mysterious Life\", and \"Epilogue\". This monograph also presents an overview of the Greek economic, social, political and cultural situation, contextualized with the arrival of Hip Hop in Europe and Greece. Finally, it is intended to contribute to academic studies of hip hop in conjunction with themes of Greek tragedy, autofiction and points of intersection that may exist between these areas. Keywords: Atheatos; Hip Hop; Greek tragedy; Autofiction; Contemporary Greece."],"dc:identifier.uri":["https://repositorio.ufba.br/handle/ri/38899"],"dc:language":["por"],"dc:publisher":["Universidade Federal da Bahia"],"dc:publisher.department":["Instituto de Letras"],"dc:rights":["CC0 1.0 Universal"],"dc:rights.uri":["http://creativecommons.org/publicdomain/zero/1.0/"],"dc:subject":["Literatura","Hip Hop","Tragédia grega","Autoficção","Grécia contemporânea","Atheatos"],"dc:title":["Doze horas restantes: neotragédia grega e autoficção no hip hop de Atheatos"],"dc:type":["Trabalho de Conclusão de Curso"]},"updated_at":"2026-07-27T22:07:37Z"}