O caminhar entre mundos: estabilidade e mobilidade na mise en scéne documental do Coletivo Mbya- Guaranide Cinema
type: CreativeWork
description: In this research, we seek to analyze the mise en scène in four documentaries made by Coletivo Mbya-Guarani de Cinema, members of the Vídeo nas Aldeias (VNA) project. We intend to analyze the following feature films: Duas aldeias, uma caminhada (2008), Bicicletas de Nhanderú (2011), Desterro Guarani (2011), Tava, a Casa de Pedra (2012). Through an approach to cinematography and scenography, we seek to analyze the space, devices and subjects present in the documentary scene. In this way, we intend to dimension the staging strategies concerning mise en scène, in order to understand its meanings, assemblages and a political perspective common to the studied filmography. We analyze the characteristics concerning documentaries, trying to understand the specificities inherent to cinematographic and scenographic practices in a dialectic that we point out as fundamental for the investigation of mise en scène in documentary. Thus, we seek to walk in two analytical approaches about this concept: 1) a specific perspective having as the films analyzed here; and 2) a more general conceptualization in order to support some categories that we think are important for the study of the phenomenon of mise en scéne in documentary. From the perspective of the corpus studied here, we seek to analyze this category as representative of the ethnographic aspects common to the Mbya-Guarani, capable of revealing an articulation between significant aspects of this culture, in a proposal that centralizes both the subjects and collectivity through the space registration process for the represented indigenous communities. In a more general perspective on the phenomenon of mise en scéne, we sought to establish a conceptualization that could take into account the historicity of this category and a broader perspective in order to involve significant aspects of audiovisual making, such as predictability and unpredictability, dialogue with subjects present in the scene, the registration and the domain o…
abstract: In this research, we seek to analyze the mise en scène in four documentaries made by Coletivo Mbya-Guarani de Cinema, members of the Vídeo nas Aldeias (VNA) project. We intend to analyze the following feature films: Duas aldeias, uma caminhada (2008), Bicicletas de Nhanderú (2011), Desterro Guarani (2011), Tava, a Casa de Pedra (2012). Through an approach to cinematography and scenography, we seek to analyze the space, devices and subjects present in the documentary scene. In this way, we intend to dimension the staging strategies concerning mise en scène, in order to understand its meanings, assemblages and a political perspective common to the studied filmography. We analyze the characteristics concerning documentaries, trying to understand the specificities inherent to cinematographic and scenographic practices in a dialectic that we point out as fundamental for the investigation of mise en scène in documentary. Thus, we seek to walk in two analytical approaches about this concept: 1) a specific perspective having as the films analyzed here; and 2) a more general conceptualization in order to support some categories that we think are important for the study of the phenomenon of mise en scéne in documentary. From the perspective of the corpus studied here, we seek to analyze this category as representative of the ethnographic aspects common to the Mbya-Guarani, capable of revealing an articulation between significant aspects of this culture, in a proposal that centralizes both the subjects and collectivity through the space registration process for the represented indigenous communities. In a more general perspective on the phenomenon of mise en scéne, we sought to establish a conceptualization that could take into account the historicity of this category and a broader perspective in order to involve significant aspects of audiovisual making, such as predictability and unpredictability, dialogue with subjects present in the scene, the registration and the domain o…
author: Rêgo, Francisco Gabriel de Almeida
language: por
keywords: Cinema - Estética, Indígenas no cinema, Mbya-Guarani., Crítica cinematográfica, Mise en scène., Documentário - Cinema
license: http://creativecommons.org/licenses/by/3.0/br/
date published: 2023
date modified: 2026-07-27T22:08:00Z
provider: Brazil UFBA
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: Universidade Federal da Bahia