{"id":{"repo_id":"brazil-ufba","oai_identifier":"oai:repositorio.ufba.br:ri/27516"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-ufba/oai:repositorio.ufba.br:ri/27516","repository":{"repo_id":"brazil-ufba","name":"Brazil UFBA","base_url":"https://repositorio.ufba.br/oai/request"},"display":{"title":"Estratégias Orquestrais nas Obras Sinfônicas de Mario Ficarelli","abstract":"This study aims to analyze the relationship between orchestral strategies and compositional processes in works by Mario Ficarelli, between the years of 1976 and 2012, from an analytical perspective around the orchestral-timbre manipulation. We divided this approach into two general strategies: the manipulation of the timbre contrast and its relation with the formal understanding of the works; and timbre combinations — procedures of homogeneity, heterogeneity, and combination of emerging sounds — related to the compositional idea of these works. From this research, an orchestral work entitled Spero, have been composed based on the results obtained, applying new guidelines from our compositional perspectives to be exposed.","abstract_html":"This study aims to analyze the relationship between orchestral strategies and compositional processes in works by Mario Ficarelli, between the years of 1976 and 2012, from an analytical perspective around the orchestral-timbre manipulation. We divided this approach into two general strategies: the manipulation of the timbre contrast and its relation with the formal understanding of the works; and timbre combinations — procedures of homogeneity, heterogeneity, and combination of emerging sounds — related to the compositional idea of these works. From this research, an orchestral work entitled Spero, have been composed based on the results obtained, applying new guidelines from our compositional perspectives to be exposed.","abstract_has_math":false,"creators":["Jesus, Kedson Silva de"],"institution":"Universidade Federal da Bahia, Escola de Música","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Silva, Wellington Gomes da"],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018","date_published":"2018","updated_at":"2026-07-27T22:07:34Z","subjects":["Composição (Musica)","Orquestração","Ficarelli, Mario","Teoria da Música"],"languages":["pt_BR"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://repositorio.ufba.br/ri/handle/ri/27516","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Silva, Wellington Gomes da"]},{"key":"dc:creator","label":"Author","values":["Jesus, Kedson Silva de"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-09-26T11:17:46Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2018-09-26T11:17:46Z"]},{"key":"dc:date.issued","label":"Date","values":["2018"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Composição (Musica)","Orquestração","Ficarelli, Mario","Teoria da Música"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["pt_BR"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://repositorio.ufba.br/ri/handle/ri/27516"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This study aims to analyze the relationship between orchestral strategies and compositional processes in works by Mario Ficarelli, between the years of 1976 and 2012, from an analytical perspective around the orchestral-timbre manipulation. We divided this approach into two general strategies: the manipulation of the timbre contrast and its relation with the formal understanding of the works; and timbre combinations — procedures of homogeneity, heterogeneity, and combination of emerging sounds — related to the compositional idea of these works. From this research, an orchestral work entitled Spero, have been composed based on the results obtained, applying new guidelines from our compositional perspectives to be exposed."]},{"key":"dc:title","label":"Title","values":["Estratégias Orquestrais nas Obras Sinfônicas de Mario Ficarelli"]}]}],"canonical_facts":{"dc:contributor.advisor":["Silva, Wellington Gomes da"],"dc:creator":["Jesus, Kedson Silva de"],"dc:date.accessioned":["2018-09-26T11:17:46Z"],"dc:date.available":["2018-09-26T11:17:46Z"],"dc:date.issued":["2018"],"dc:description.abstract":["This study aims to analyze the relationship between orchestral strategies and compositional processes in works by Mario Ficarelli, between the years of 1976 and 2012, from an analytical perspective around the orchestral-timbre manipulation. We divided this approach into two general strategies: the manipulation of the timbre contrast and its relation with the formal understanding of the works; and timbre combinations — procedures of homogeneity, heterogeneity, and combination of emerging sounds — related to the compositional idea of these works. From this research, an orchestral work entitled Spero, have been composed based on the results obtained, applying new guidelines from our compositional perspectives to be exposed."],"dc:identifier.uri":["http://repositorio.ufba.br/ri/handle/ri/27516"],"dc:language.iso":["pt_BR"],"dc:rights":["Acesso Aberto"],"dc:subject":["Composição (Musica)","Orquestração","Ficarelli, Mario","Teoria da Música"],"dc:title":["Estratégias Orquestrais nas Obras Sinfônicas de Mario Ficarelli"],"dc:type":["Dissertação"]},"updated_at":"2026-07-27T22:07:34Z"}