{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/7987"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/7987","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"A arte como comunicação afetiva: experiência espiritual e a produção artística","abstract":"The purpose of this thesis is to think about artistic production – developed in holistic and integral perspective of human existence – having the spiritual experience as its main reference. The ponderations presented here result from observations which began 15 years ago, the last five years being the most significant. This work consists of researches paired with practical and theoretical studies which articulate the spiritual experience and the artistic production, describing them as lived experiences. The aim is to demonstrate through art (artistic production) the relation materiality versus immateriality existent in the world, and the possibility that – through the spiritual or creative experience, in a unified system of interior provocation equivalent to the mystical experience – the subject faces the unique dimension of freedom, which allows him/her to determine and construct his/her own destiny. This way, I believe that man’s balance towards himself, society and the environment may be reached through the spiritual and creative experiences, which need to be cultivated; and the artistic production attempts to demonstrate such possibility. As a consequence of these experiences and analyses, I collected some orientations. The most determinant are the one that establishes the creative experience and the affectionate relations as models to relate to the world and the one which understands that the creative experience is not the privilege of a selected few, but a dimension of human life which everyone has access to.","abstract_html":"The purpose of this thesis is to think about artistic production – developed in holistic and integral perspective of human existence – having the spiritual experience as its main reference. The ponderations presented here result from observations which began 15 years ago, the last five years being the most significant. This work consists of researches paired with practical and theoretical studies which articulate the spiritual experience and the artistic production, describing them as lived experiences. The aim is to demonstrate through art (artistic production) the relation materiality versus immateriality existent in the world, and the possibility that – through the spiritual or creative experience, in a unified system of interior provocation equivalent to the mystical experience – the subject faces the unique dimension of freedom, which allows him/her to determine and construct his/her own destiny. This way, I believe that man’s balance towards himself, society and the environment may be reached through the spiritual and creative experiences, which need to be cultivated; and the artistic production attempts to demonstrate such possibility. As a consequence of these experiences and analyses, I collected some orientations. The most determinant are the one that establishes the creative experience and the affectionate relations as models to relate to the world and the one which understands that the creative experience is not the privilege of a selected few, but a dimension of human life which everyone has access to.","abstract_has_math":false,"creators":["Sekiguchi, Julio Ferreira"],"institution":"Universidade Federal do Rio de Janeiro","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Ferreira, Maria da Glória Araujo"],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-09-08","date_published":"2011-09-08","updated_at":"2026-07-24T01:16:29Z","subjects":["Criação artística","Experiência religiosa","Espiritualidade"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11422/7987","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Ferreira, Maria da Glória Araujo"]},{"key":"dc:creator","label":"Author","values":["Sekiguchi, Julio Ferreira"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2019-05-20T17:09:21Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-05-16T03:01:56Z"]},{"key":"dc:date.issued","label":"Date","values":["2011-09-08"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal do Rio de Janeiro"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Tese"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Criação artística","Experiência religiosa","Espiritualidade"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11422/7987"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The purpose of this thesis is to think about artistic production – developed in holistic and integral perspective of human existence – having the spiritual experience as its main reference. The ponderations presented here result from observations which began 15 years ago, the last five years being the most significant. This work consists of researches paired with practical and theoretical studies which articulate the spiritual experience and the artistic production, describing them as lived experiences. The aim is to demonstrate through art (artistic production) the relation materiality versus immateriality existent in the world, and the possibility that – through the spiritual or creative experience, in a unified system of interior provocation equivalent to the mystical experience – the subject faces the unique dimension of freedom, which allows him/her to determine and construct his/her own destiny. This way, I believe that man’s balance towards himself, society and the environment may be reached through the spiritual and creative experiences, which need to be cultivated; and the artistic production attempts to demonstrate such possibility. As a consequence of these experiences and analyses, I collected some orientations. The most determinant are the one that establishes the creative experience and the affectionate relations as models to relate to the world and the one which understands that the creative experience is not the privilege of a selected few, but a dimension of human life which everyone has access to."]},{"key":"dc:title","label":"Title","values":["A arte como comunicação afetiva: experiência espiritual e a produção artística"]}]}],"canonical_facts":{"dc:contributor.advisor":["Ferreira, Maria da Glória Araujo"],"dc:creator":["Sekiguchi, Julio Ferreira"],"dc:date.accessioned":["2019-05-20T17:09:21Z"],"dc:date.available":["2026-05-16T03:01:56Z"],"dc:date.issued":["2011-09-08"],"dc:description.abstract":["The purpose of this thesis is to think about artistic production – developed in holistic and integral perspective of human existence – having the spiritual experience as its main reference. The ponderations presented here result from observations which began 15 years ago, the last five years being the most significant. This work consists of researches paired with practical and theoretical studies which articulate the spiritual experience and the artistic production, describing them as lived experiences. The aim is to demonstrate through art (artistic production) the relation materiality versus immateriality existent in the world, and the possibility that – through the spiritual or creative experience, in a unified system of interior provocation equivalent to the mystical experience – the subject faces the unique dimension of freedom, which allows him/her to determine and construct his/her own destiny. This way, I believe that man’s balance towards himself, society and the environment may be reached through the spiritual and creative experiences, which need to be cultivated; and the artistic production attempts to demonstrate such possibility. As a consequence of these experiences and analyses, I collected some orientations. The most determinant are the one that establishes the creative experience and the affectionate relations as models to relate to the world and the one which understands that the creative experience is not the privilege of a selected few, but a dimension of human life which everyone has access to."],"dc:identifier.uri":["http://hdl.handle.net/11422/7987"],"dc:language":["por"],"dc:publisher":["Universidade Federal do Rio de Janeiro"],"dc:publisher.department":["Escola de Belas Artes"],"dc:rights":["Acesso Aberto"],"dc:subject":["Criação artística","Experiência religiosa","Espiritualidade"],"dc:title":["A arte como comunicação afetiva: experiência espiritual e a produção artística"],"dc:type":["Tese"]},"updated_at":"2026-07-24T01:16:29Z"}