{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/6176"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/6176","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"Da pesca e outras artes: memórias de Antônio de Gastão","abstract":"This work intends to discuss popular art, by analysing an specific case: Antônio de Gastão, an artist from Cabo Frio It tries to catch what sense does art mean to him, what his art contains and expresses. By devellopment, it broaches another question: popular art as a conscient working-out process, by establishing a dialogue with authors who, placing popular expressions in opposition to erudite manifestations, consider only the last ones as a result of an intentional creative act. On the contrary, we find out that art, for Antônio de Gastão, is part of a whole, indivisible: a project consciently built by the artist, whose starting-point seems tobe the tensions caused by social changes that disconnect and connect again his social context.","abstract_html":"This work intends to discuss popular art, by analysing an specific case: Antônio de Gastão, an artist from Cabo Frio It tries to catch what sense does art mean to him, what his art contains and expresses. By devellopment, it broaches another question: popular art as a conscient working-out process, by establishing a dialogue with authors who, placing popular expressions in opposition to erudite manifestations, consider only the last ones as a result of an intentional creative act. On the contrary, we find out that art, for Antônio de Gastão, is part of a whole, indivisible: a project consciently built by the artist, whose starting-point seems tobe the tensions caused by social changes that disconnect and connect again his social context.","abstract_has_math":false,"creators":["Lima, Ricardo Gomes"],"institution":"Universidade Federal do Rio de Janeiro","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Costa, Maria Heloísa Fénelon"],"committee_chairs":[],"committee_members":[],"year":1993,"date_issued":"1993-08","date_published":"1993-08","updated_at":"2026-07-24T01:16:18Z","subjects":["Arte popular","Folclore"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11422/6176","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Costa, Maria Heloísa Fénelon"]},{"key":"dc:creator","label":"Author","values":["Lima, Ricardo Gomes"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2019-01-22T00:17:12Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-05-16T03:05:27Z"]},{"key":"dc:date.issued","label":"Date","values":["1993-08"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal do Rio de Janeiro"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arte popular","Folclore"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11422/6176"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This work intends to discuss popular art, by analysing an specific case: Antônio de Gastão, an artist from Cabo Frio It tries to catch what sense does art mean to him, what his art contains and expresses. By devellopment, it broaches another question: popular art as a conscient working-out process, by establishing a dialogue with authors who, placing popular expressions in opposition to erudite manifestations, consider only the last ones as a result of an intentional creative act. On the contrary, we find out that art, for Antônio de Gastão, is part of a whole, indivisible: a project consciently built by the artist, whose starting-point seems tobe the tensions caused by social changes that disconnect and connect again his social context."]},{"key":"dc:title","label":"Title","values":["Da pesca e outras artes: memórias de Antônio de Gastão"]}]}],"canonical_facts":{"dc:contributor.advisor":["Costa, Maria Heloísa Fénelon"],"dc:creator":["Lima, Ricardo Gomes"],"dc:date.accessioned":["2019-01-22T00:17:12Z"],"dc:date.available":["2026-05-16T03:05:27Z"],"dc:date.issued":["1993-08"],"dc:description.abstract":["This work intends to discuss popular art, by analysing an specific case: Antônio de Gastão, an artist from Cabo Frio It tries to catch what sense does art mean to him, what his art contains and expresses. By devellopment, it broaches another question: popular art as a conscient working-out process, by establishing a dialogue with authors who, placing popular expressions in opposition to erudite manifestations, consider only the last ones as a result of an intentional creative act. On the contrary, we find out that art, for Antônio de Gastão, is part of a whole, indivisible: a project consciently built by the artist, whose starting-point seems tobe the tensions caused by social changes that disconnect and connect again his social context."],"dc:identifier.uri":["http://hdl.handle.net/11422/6176"],"dc:language":["por"],"dc:publisher":["Universidade Federal do Rio de Janeiro"],"dc:publisher.department":["Escola de Belas Artes"],"dc:rights":["Acesso Aberto"],"dc:subject":["Arte popular","Folclore"],"dc:title":["Da pesca e outras artes: memórias de Antônio de Gastão"],"dc:type":["Dissertação"]},"updated_at":"2026-07-24T01:16:18Z"}