{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/6170"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/6170","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"Reru: figuras em cordéis dos Índios Karajá","abstract":"Examines a cultural feature in the form of a leisure activity which is common) to many peoples in the world. A close look into the activity of string figure making can give us many insights to help us better understand human creativity and ludic nature. Through an account of a sampling collection of string figures, which include their construction methods, collected among a brazilian indigenous people, the Karajá people, who inhabit the central brazilian inlands, we examine the string figures as final cultural products as well as the activity of making them as a creative process which is an interplay between a keen aesthetic sense and a joyfull ludic experience. An account of a cultural revival experience with the Karajá people and their string figures is also reported.","abstract_html":"Examines a cultural feature in the form of a leisure activity which is common) to many peoples in the world. A close look into the activity of string figure making can give us many insights to help us better understand human creativity and ludic nature. Through an account of a sampling collection of string figures, which include their construction methods, collected among a brazilian indigenous people, the Karajá people, who inhabit the central brazilian inlands, we examine the string figures as final cultural products as well as the activity of making them as a creative process which is an interplay between a keen aesthetic sense and a joyfull ludic experience. 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A close look into the activity of string figure making can give us many insights to help us better understand human creativity and ludic nature. Through an account of a sampling collection of string figures, which include their construction methods, collected among a brazilian indigenous people, the Karajá people, who inhabit the central brazilian inlands, we examine the string figures as final cultural products as well as the activity of making them as a creative process which is an interplay between a keen aesthetic sense and a joyfull ludic experience. 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