{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/5751"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/5751","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"Portinari, poeta de imensidões","abstract":"In the work of the painter Cândido Portinari, poetry, if one takes the term in the wide sense of a phenomenon which may be applied to different art-forms, is evident as a mark that unites his great range of technique and stylistic tendencies. With the methodologi- cal support of Gaston Bachelard's phenomenology, emphasizing material imagination linked to the four basic elements of water, earth, fire and air, the dissertation approaches the poetic imagination of the painter which creates poetic images strongly linked to the earth. Following these images, one experiences a sense of space expanding and concen- trating, which may be defined as central to Portinari's poetry. In the relationship between the intensified external and internal spaces, vastness is encountered.","abstract_html":"In the work of the painter Cândido Portinari, poetry, if one takes the term in the wide sense of a phenomenon which may be applied to different art-forms, is evident as a mark that unites his great range of technique and stylistic tendencies. With the methodologi- cal support of Gaston Bachelard's phenomenology, emphasizing material imagination linked to the four basic elements of water, earth, fire and air, the dissertation approaches the poetic imagination of the painter which creates poetic images strongly linked to the earth. Following these images, one experiences a sense of space expanding and concen- trating, which may be defined as central to Portinari's poetry. In the relationship between the intensified external and internal spaces, vastness is encountered.","abstract_has_math":false,"creators":["Cozendey, Ana Carla Bicalho"],"institution":"Universidade Federal do Rio de Janeiro","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Barbosa, Guilherme Sias"],"committee_chairs":[],"committee_members":[],"year":1998,"date_issued":"1998-11-11","date_published":"1998-11-11","updated_at":"2026-07-24T01:16:15Z","subjects":["Pintura","Portinari, Cândido,1903-1962","Crítica e interpretação"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11422/5751","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Barbosa, Guilherme Sias"]},{"key":"dc:creator","label":"Author","values":["Cozendey, Ana Carla Bicalho"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-11-13T23:57:09Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-05-16T03:05:24Z"]},{"key":"dc:date.issued","label":"Date","values":["1998-11-11"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal do Rio de Janeiro"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Pintura","Portinari, Cândido,1903-1962","Crítica e interpretação"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11422/5751"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In the work of the painter Cândido Portinari, poetry, if one takes the term in the wide sense of a phenomenon which may be applied to different art-forms, is evident as a mark that unites his great range of technique and stylistic tendencies. With the methodologi- cal support of Gaston Bachelard's phenomenology, emphasizing material imagination linked to the four basic elements of water, earth, fire and air, the dissertation approaches the poetic imagination of the painter which creates poetic images strongly linked to the earth. Following these images, one experiences a sense of space expanding and concen- trating, which may be defined as central to Portinari's poetry. 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