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Universidade Federal do Rio de Janeiro

A Pintura de retratos no século XIX: Victor Meirelles

Abstract

dc:description.abstract

Investigates how was built the portraiture in Rio de Janeiro in the nineteenth century, its patterns, its styles and its relationship with social environement, basing on the portraits painted by Victor Meirelles. The portrqiture, in Brasil, began in the seventeenth century, following portuguese models. The French Artistic Mission of 18 16 brought a new model for the gender. The most significative portraits of Victor Meirelles are here analised according to its insertion in the portuguese or french models and according to the artist style, without forgetting its social aspect, since he was requested to portrait people from the most wealthy social groups, including the Imperial Family and the Emperor himself.

Degree

thesis:*
Grantor dc:publisher
Universidade Federal do Rio de Janeiro
Year dc:date.issued
1998

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Cadorin, Mônica de Almeida
Advisor dc:contributor.advisor
  • Pereira, Sonia Gomes

Subjects

dc:subject × 4

Rights

dc:rights
Statement dc:rights
  • Acesso Aberto
Language dc:language
por

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11422/5579
OAI identifier oai:identifier
oai:pantheon.ufrj.br:11422/5579

Chain of custody

source
Harvested from
Brazil UERJ
Base URL
pantheon.ufrj.br/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Cadorin, Mônica de Almeida. A Pintura de retratos no século XIX: Victor Meirelles. Universidade Federal do Rio de Janeiro, 1998. http://hdl.handle.net/11422/5579