Universidade Federal do Rio de Janeiro
A Pintura de retratos no século XIX: Victor Meirelles
Abstract
dc:description.abstractInvestigates how was built the portraiture in Rio de Janeiro in the nineteenth century, its patterns, its styles and its relationship with social environement, basing on the portraits painted by Victor Meirelles. The portrqiture, in Brasil, began in the seventeenth century, following portuguese models. The French Artistic Mission of 18 16 brought a new model for the gender. The most significative portraits of Victor Meirelles are here analised according to its insertion in the portuguese or french models and according to the artist style, without forgetting its social aspect, since he was requested to portrait people from the most wealthy social groups, including the Imperial Family and the Emperor himself.
Degree
thesis:*- Grantor dc:publisher
- Universidade Federal do Rio de Janeiro
- Year dc:date.issued
- 1998
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Cadorin, Mônica de Almeida
- Advisor dc:contributor.advisor
-
- Pereira, Sonia Gomes
Subjects
dc:subject × 4Rights
dc:rights- Statement dc:rights
-
- Acesso Aberto
- Language dc:language
- por
Identifiers
dc:identifier.*- Handle dc:identifier.uri
- http://hdl.handle.net/11422/5579
- OAI identifier oai:identifier
- oai:pantheon.ufrj.br:11422/5579