{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/5576"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/5576","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"Realidade e representação: possibilidade e desafio em pintura","abstract":"This paper summarizes theoretical considerations engendered by my artistic production in painting. It intends to join practice and reflection, fulfilling the requirements for attaining a Master Degree in Visual Languages. Cutting out brief slices of Art’s History, I try to situate and analyse contexts and moments when the questioning of values (as occurs today) evoked in artists and their work answers in an attempt to overcome feelings of doom and end - comprising movements I call ideological acts. In favor of a starting hypothesis which defends the maintenance of painting and its procedures as a legitimate way of working out poetic creation in our time, I present four of my own paintings which, besides depicting concepts such as Reality and Representation, Part and Whole, Intention and Gesture, hold the directions of my wonderings in today’s artistic context.","abstract_html":"This paper summarizes theoretical considerations engendered by my artistic production in painting. It intends to join practice and reflection, fulfilling the requirements for attaining a Master Degree in Visual Languages. Cutting out brief slices of Art’s History, I try to situate and analyse contexts and moments when the questioning of values (as occurs today) evoked in artists and their work answers in an attempt to overcome feelings of doom and end - comprising movements I call ideological acts. In favor of a starting hypothesis which defends the maintenance of painting and its procedures as a legitimate way of working out poetic creation in our time, I present four of my own paintings which, besides depicting concepts such as Reality and Representation, Part and Whole, Intention and Gesture, hold the directions of my wonderings in today’s artistic context.","abstract_has_math":false,"creators":["Bellagamba, Mauro Folhadella"],"institution":"Universidade Federal do Rio de Janeiro","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Zilio, Carlos Augusto da Silva"],"committee_chairs":[],"committee_members":[],"year":1998,"date_issued":"1998","date_published":"1998","updated_at":"2026-07-24T01:16:15Z","subjects":["Pintura","Criação artística"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11422/5576","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Zilio, Carlos Augusto da Silva"]},{"key":"dc:creator","label":"Author","values":["Bellagamba, Mauro Folhadella"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-11-01T00:24:07Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-05-16T03:05:16Z"]},{"key":"dc:date.issued","label":"Date","values":["1998"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal do Rio de Janeiro"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Pintura","Criação artística"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11422/5576"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This paper summarizes theoretical considerations engendered by my artistic production in painting. It intends to join practice and reflection, fulfilling the requirements for attaining a Master Degree in Visual Languages. Cutting out brief slices of Art’s History, I try to situate and analyse contexts and moments when the questioning of values (as occurs today) evoked in artists and their work answers in an attempt to overcome feelings of doom and end - comprising movements I call ideological acts. In favor of a starting hypothesis which defends the maintenance of painting and its procedures as a legitimate way of working out poetic creation in our time, I present four of my own paintings which, besides depicting concepts such as Reality and Representation, Part and Whole, Intention and Gesture, hold the directions of my wonderings in today’s artistic context."]},{"key":"dc:title","label":"Title","values":["Realidade e representação: possibilidade e desafio em pintura"]}]}],"canonical_facts":{"dc:contributor.advisor":["Zilio, Carlos Augusto da Silva"],"dc:creator":["Bellagamba, Mauro Folhadella"],"dc:date.accessioned":["2018-11-01T00:24:07Z"],"dc:date.available":["2026-05-16T03:05:16Z"],"dc:date.issued":["1998"],"dc:description.abstract":["This paper summarizes theoretical considerations engendered by my artistic production in painting. It intends to join practice and reflection, fulfilling the requirements for attaining a Master Degree in Visual Languages. Cutting out brief slices of Art’s History, I try to situate and analyse contexts and moments when the questioning of values (as occurs today) evoked in artists and their work answers in an attempt to overcome feelings of doom and end - comprising movements I call ideological acts. In favor of a starting hypothesis which defends the maintenance of painting and its procedures as a legitimate way of working out poetic creation in our time, I present four of my own paintings which, besides depicting concepts such as Reality and Representation, Part and Whole, Intention and Gesture, hold the directions of my wonderings in today’s artistic context."],"dc:identifier.uri":["http://hdl.handle.net/11422/5576"],"dc:language":["por"],"dc:publisher":["Universidade Federal do Rio de Janeiro"],"dc:publisher.department":["Escola de Belas Artes"],"dc:rights":["Acesso Aberto"],"dc:subject":["Pintura","Criação artística"],"dc:title":["Realidade e representação: possibilidade e desafio em pintura"],"dc:type":["Dissertação"]},"updated_at":"2026-07-24T01:16:15Z"}