Estevão Silva e a pintura de naturezas mortas no Brasil do século XIX

Despite the recent historiographic interest in nineteenth-century Brazilian art, still-life painting remains almost an unexplored field. This research intends to displace the lack of studies on the theme by approaching the work of one of the most distinguished still-life painters among us, Estevão Roberto da Silva (1845-1891). Willing to measure his legacy to the National art, we have made up a reference table gathering the production of those preceded him in the specialty. Based on nine Estevão’s paintings analysis, we could find out that he renewed the conventions into ways: from the viewpoint of composition and brushwork.

Grantor dc:publisher

Universidade Federal do Rio de Janeiro

Year dc:date.issued

2002

Author dc:creator

• Pessôa, Alexandre Neiva

Advisor dc:contributor.advisor

• Oliveira, Myriam Andrade Ribeiro de

• Natureza morta (Pintura)
• Pintura brasileira
• Séc. XIX

Statement dc:rights

• Acesso Aberto

Language dc:language

por

Handle dc:identifier.uri

http://hdl.handle.net/11422/5161

OAI identifier oai:identifier

oai:pantheon.ufrj.br:11422/5161