{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/3840"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/3840","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"A arte de Antônio Teles, escravo e mestre pintor setecentista, no Mosteiro de São Bento do Rio de Janeiro","abstract":"Heir of Jewish culture, in which is the Word Revelation, Christian spirituality, not without hesitation, adopetd and developed images, as catechetic instruments. ln this context, this paper analyzes the work of eighteenth-century slave master painter, starting with an overview of the Benedictine Order, limiting, gradually, the matter until the artist's work, but without forgetting its context, which is spirituality Benedictine lived in the Benedictine Congregation of Brazil. Despite the historical record of the performance of Antonio Teles in 16 polychrome on wood sculptures, performed by other artists throughout the eighteenth century, for the ornamentation of Abbey Church Our Lady of Monserrate do Rio de Janeiro, this culminates with the iconographic analysis two pen design drawings, signed by the slave master painter.","abstract_html":"Heir of Jewish culture, in which is the Word Revelation, Christian spirituality, not without hesitation, adopetd and developed images, as catechetic instruments. ln this context, this paper analyzes the work of eighteenth-century slave master painter, starting with an overview of the Benedictine Order, limiting, gradually, the matter until the artist's work, but without forgetting its context, which is spirituality Benedictine lived in the Benedictine Congregation of Brazil. Despite the historical record of the performance of Antonio Teles in 16 polychrome on wood sculptures, performed by other artists throughout the eighteenth century, for the ornamentation of Abbey Church Our Lady of Monserrate do Rio de Janeiro, this culminates with the iconographic analysis two pen design drawings, signed by the slave master painter.","abstract_has_math":false,"creators":["Fragoso, Victor Murilo Maia"],"institution":"Universidade Federal do Rio de Janeiro","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Souza, Maria Beatriz de Mello e"],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01","date_published":"2011-01","updated_at":"2026-07-24T01:16:10Z","subjects":["Século XVIII","Ordens religiosas","Pintores","Mosteiro de São Bento do Rio de Janeiro","Escravos"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11422/3840","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Souza, Maria Beatriz de Mello e"]},{"key":"dc:creator","label":"Author","values":["Fragoso, Victor Murilo Maia"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-04-12T00:07:16Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-05-16T03:05:37Z"]},{"key":"dc:date.issued","label":"Date","values":["2011-01"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal do Rio de Janeiro"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Século XVIII","Ordens religiosas","Pintores","Mosteiro de São Bento do Rio de Janeiro","Escravos"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11422/3840"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Heir of Jewish culture, in which is the Word Revelation, Christian spirituality, not without hesitation, adopetd and developed images, as catechetic instruments. ln this context, this paper analyzes the work of eighteenth-century slave master painter, starting with an overview of the Benedictine Order, limiting, gradually, the matter until the artist's work, but without forgetting its context, which is spirituality Benedictine lived in the Benedictine Congregation of Brazil. Despite the historical record of the performance of Antonio Teles in 16 polychrome on wood sculptures, performed by other artists throughout the eighteenth century, for the ornamentation of Abbey Church Our Lady of Monserrate do Rio de Janeiro, this culminates with the iconographic analysis two pen design drawings, signed by the slave master painter."]},{"key":"dc:title","label":"Title","values":["A arte de Antônio Teles, escravo e mestre pintor setecentista, no Mosteiro de São Bento do Rio de Janeiro"]}]}],"canonical_facts":{"dc:contributor.advisor":["Souza, Maria Beatriz de Mello e"],"dc:creator":["Fragoso, Victor Murilo Maia"],"dc:date.accessioned":["2018-04-12T00:07:16Z"],"dc:date.available":["2026-05-16T03:05:37Z"],"dc:date.issued":["2011-01"],"dc:description.abstract":["Heir of Jewish culture, in which is the Word Revelation, Christian spirituality, not without hesitation, adopetd and developed images, as catechetic instruments. ln this context, this paper analyzes the work of eighteenth-century slave master painter, starting with an overview of the Benedictine Order, limiting, gradually, the matter until the artist's work, but without forgetting its context, which is spirituality Benedictine lived in the Benedictine Congregation of Brazil. Despite the historical record of the performance of Antonio Teles in 16 polychrome on wood sculptures, performed by other artists throughout the eighteenth century, for the ornamentation of Abbey Church Our Lady of Monserrate do Rio de Janeiro, this culminates with the iconographic analysis two pen design drawings, signed by the slave master painter."],"dc:identifier.uri":["http://hdl.handle.net/11422/3840"],"dc:language":["por"],"dc:publisher":["Universidade Federal do Rio de Janeiro"],"dc:publisher.department":["Escola de Belas Artes"],"dc:rights":["Acesso Aberto"],"dc:subject":["Século XVIII","Ordens religiosas","Pintores","Mosteiro de São Bento do Rio de Janeiro","Escravos"],"dc:title":["A arte de Antônio Teles, escravo e mestre pintor setecentista, no Mosteiro de São Bento do Rio de Janeiro"],"dc:type":["Dissertação"]},"updated_at":"2026-07-24T01:16:10Z"}