{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/2912"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/2912","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"A talha religiosa da segunda metade do século xix no Rio de Janeiro, através do seu artista maior, Antonio de Pádua e Castro","abstract":"Situate properly, in the historiagraphy of the Art in Brazil, the figure of the artist here in bef'ore mentioned. At the same time, it broaches the wood carving technic problems in that stage of the history, making use of the works of Pádua e Castro, whose production is the most expressive of that period. It was imperative, as first stage of the work, to realize an historical-documental research, which allow us to inventory the whole work of the artist. Realizing the art as an artistic manifestation, arised from the cultural practice, owning a particular way to express the ideas of the artist, accordinly to his time and the society, it was selected specific informations and remade considerations about expressive facts, in order to make it possible a better comprehension of (or bring us near to) the speech of that time. Preliminarly, it was conducted a reflection about the wood carving technic, its role in the religious scenery and its estilistic evolution, in Portugal and Brazil, with the intention to familiarize the reader with. the theme to be dealed with. The description and ichonographic analysis of his work allowed us to identify the formal vocabulary and the stylistict tendencies revealed along his production.","abstract_html":"Situate properly, in the historiagraphy of the Art in Brazil, the figure of the artist here in bef'ore mentioned. At the same time, it broaches the wood carving technic problems in that stage of the history, making use of the works of Pádua e Castro, whose production is the most expressive of that period. It was imperative, as first stage of the work, to realize an historical-documental research, which allow us to inventory the whole work of the artist. Realizing the art as an artistic manifestation, arised from the cultural practice, owning a particular way to express the ideas of the artist, accordinly to his time and the society, it was selected specific informations and remade considerations about expressive facts, in order to make it possible a better comprehension of (or bring us near to) the speech of that time. Preliminarly, it was conducted a reflection about the wood carving technic, its role in the religious scenery and its estilistic evolution, in Portugal and Brazil, with the intention to familiarize the reader with. the theme to be dealed with. The description and ichonographic analysis of his work allowed us to identify the formal vocabulary and the stylistict tendencies revealed along his production.","abstract_has_math":false,"creators":["Fernandes, Cybele Vidal Neto"],"institution":"Universidade Federal do Rio de Janeiro","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Cunha, Almir Paredes"],"committee_chairs":[],"committee_members":[],"year":1991,"date_issued":"1991-03","date_published":"1991-03","updated_at":"2026-07-24T01:15:56Z","subjects":["Arte","Talha","Século XIX","Antônio de Pádua e Castro"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11422/2912","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Cunha, Almir Paredes"]},{"key":"dc:creator","label":"Author","values":["Fernandes, Cybele Vidal Neto"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-09-26T14:37:10Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-05-16T03:04:02Z"]},{"key":"dc:date.issued","label":"Date","values":["1991-03"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal do Rio de Janeiro"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arte","Talha","Século XIX","Antônio de Pádua e Castro"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11422/2912"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Situate properly, in the historiagraphy of the Art in Brazil, the figure of the artist here in bef'ore mentioned. At the same time, it broaches the wood carving technic problems in that stage of the history, making use of the works of Pádua e Castro, whose production is the most expressive of that period. It was imperative, as first stage of the work, to realize an historical-documental research, which allow us to inventory the whole work of the artist. Realizing the art as an artistic manifestation, arised from the cultural practice, owning a particular way to express the ideas of the artist, accordinly to his time and the society, it was selected specific informations and remade considerations about expressive facts, in order to make it possible a better comprehension of (or bring us near to) the speech of that time. Preliminarly, it was conducted a reflection about the wood carving technic, its role in the religious scenery and its estilistic evolution, in Portugal and Brazil, with the intention to familiarize the reader with. the theme to be dealed with. The description and ichonographic analysis of his work allowed us to identify the formal vocabulary and the stylistict tendencies revealed along his production."]},{"key":"dc:title","label":"Title","values":["A talha religiosa da segunda metade do século xix no Rio de Janeiro, através do seu artista maior, Antonio de Pádua e Castro"]}]}],"canonical_facts":{"dc:contributor.advisor":["Cunha, Almir Paredes"],"dc:creator":["Fernandes, Cybele Vidal Neto"],"dc:date.accessioned":["2017-09-26T14:37:10Z"],"dc:date.available":["2026-05-16T03:04:02Z"],"dc:date.issued":["1991-03"],"dc:description.abstract":["Situate properly, in the historiagraphy of the Art in Brazil, the figure of the artist here in bef'ore mentioned. At the same time, it broaches the wood carving technic problems in that stage of the history, making use of the works of Pádua e Castro, whose production is the most expressive of that period. It was imperative, as first stage of the work, to realize an historical-documental research, which allow us to inventory the whole work of the artist. Realizing the art as an artistic manifestation, arised from the cultural practice, owning a particular way to express the ideas of the artist, accordinly to his time and the society, it was selected specific informations and remade considerations about expressive facts, in order to make it possible a better comprehension of (or bring us near to) the speech of that time. Preliminarly, it was conducted a reflection about the wood carving technic, its role in the religious scenery and its estilistic evolution, in Portugal and Brazil, with the intention to familiarize the reader with. the theme to be dealed with. 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