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Universidade Federal do Rio de Janeiro

A mulher e as artes: as pintoras da primeira república no Rio de Janeiro

Abstract

dc:description.abstract

The goal of our research is to study the social origins and the cultural background of the women painters who participated of the General Exhibitions of the National School of Fine Arts located in Rio de Janeiro. Our thesis is included in the perspective of cultural history and based on an interdisciplinary approach to understand the women painters' position in the Brazilian Society of the turn of the century, their image of the world and of themselves, reflected in the images and paintings. The study of the lives of a sample of 209 artists revealed that realism prevailed in their style and the predominant thems of their paintings were taken from daily life of the bourgeoisie, to which most them belonged. The analisis of these artists is developed within the framework of the cultural background of the Brazilian republic and its contemporary reflections.

Degree

thesis:*
Grantor dc:publisher
Universidade Federal do Rio de Janeiro
Year dc:date.issued
1998

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Oliveira, Míriam Andréa de
Advisor dc:contributor.advisor
  • Lobo, Eulalia Maria Lahmeyer

Subjects

dc:subject × 4

Rights

dc:rights
Statement dc:rights
  • Acesso Aberto
Language dc:language
por

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11422/2754
OAI identifier oai:identifier
oai:pantheon.ufrj.br:11422/2754

Chain of custody

source
Harvested from
Brazil UERJ
Base URL
pantheon.ufrj.br/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Oliveira, Míriam Andréa de. A mulher e as artes: as pintoras da primeira república no Rio de Janeiro. Universidade Federal do Rio de Janeiro, 1998. http://hdl.handle.net/11422/2754