{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/2455"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/2455","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"Abijail de Andrade: artísta plástica do Rio de Janeiro no século xix","abstract":"It features the city of Rio de Janeiro, in the XIX century, was proeminent for the introduction and development of formal apprenticeship of the fine arts. As a consequence, Brazil became an important center of artistic production in the Americas. It was in this city that strict ritualism of academic teaching reached its peak, imposing neoclassicism as a predominant style. As masculine authority ruled society, it was difficult for women to exceed in the fine arts. In this context, we present the biography of the artist Abigail de Andrade, precursor of Social Realism was this painter's forro of expression and style and was used to convey her views of the world and her feelings and concerns for those less fortuna te in society. Ready to carry out any artistic challege regarding the painter's craft, but she often resorted to the use of a preconcieved technique and iconographical repertoire drawn frorn the Acaderny.","abstract_html":"It features the city of Rio de Janeiro, in the XIX century, was proeminent for the introduction and development of formal apprenticeship of the fine arts. As a consequence, Brazil became an important center of artistic production in the Americas. It was in this city that strict ritualism of academic teaching reached its peak, imposing neoclassicism as a predominant style. As masculine authority ruled society, it was difficult for women to exceed in the fine arts. In this context, we present the biography of the artist Abigail de Andrade, precursor of Social Realism was this painter's forro of expression and style and was used to convey her views of the world and her feelings and concerns for those less fortuna te in society. Ready to carry out any artistic challege regarding the painter's craft, but she often resorted to the use of a preconcieved technique and iconographical repertoire drawn frorn the Acaderny.","abstract_has_math":false,"creators":["Oliveira, Míriam Andréa"],"institution":"Universidade Federal do Rio de Janeiro","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Zoladz, Rosza Wigdorowicz Vel"],"committee_chairs":[],"committee_members":[],"year":1993,"date_issued":"1993","date_published":"1993","updated_at":"2026-07-24T01:15:53Z","subjects":["Arte","Pintura","Rio de Janeiro (RJ)","Século XIX","Andrade, Abigail de","Biografia"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11422/2455","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Zoladz, Rosza Wigdorowicz Vel"]},{"key":"dc:creator","label":"Author","values":["Oliveira, Míriam Andréa"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-07-20T22:21:55Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-05-16T03:04:37Z"]},{"key":"dc:date.issued","label":"Date","values":["1993"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal do Rio de Janeiro"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arte","Pintura","Rio de Janeiro (RJ)","Século XIX","Andrade, Abigail de","Biografia"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11422/2455"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["It features the city of Rio de Janeiro, in the XIX century, was proeminent for the introduction and development of formal apprenticeship of the fine arts. As a consequence, Brazil became an important center of artistic production in the Americas. It was in this city that strict ritualism of academic teaching reached its peak, imposing neoclassicism as a predominant style. As masculine authority ruled society, it was difficult for women to exceed in the fine arts. In this context, we present the biography of the artist Abigail de Andrade, precursor of Social Realism was this painter's forro of expression and style and was used to convey her views of the world and her feelings and concerns for those less fortuna te in society. Ready to carry out any artistic challege regarding the painter's craft, but she often resorted to the use of a preconcieved technique and iconographical repertoire drawn frorn the Acaderny."]},{"key":"dc:title","label":"Title","values":["Abijail de Andrade: artísta plástica do Rio de Janeiro no século xix"]}]}],"canonical_facts":{"dc:contributor.advisor":["Zoladz, Rosza Wigdorowicz Vel"],"dc:creator":["Oliveira, Míriam Andréa"],"dc:date.accessioned":["2017-07-20T22:21:55Z"],"dc:date.available":["2026-05-16T03:04:37Z"],"dc:date.issued":["1993"],"dc:description.abstract":["It features the city of Rio de Janeiro, in the XIX century, was proeminent for the introduction and development of formal apprenticeship of the fine arts. As a consequence, Brazil became an important center of artistic production in the Americas. It was in this city that strict ritualism of academic teaching reached its peak, imposing neoclassicism as a predominant style. As masculine authority ruled society, it was difficult for women to exceed in the fine arts. In this context, we present the biography of the artist Abigail de Andrade, precursor of Social Realism was this painter's forro of expression and style and was used to convey her views of the world and her feelings and concerns for those less fortuna te in society. Ready to carry out any artistic challege regarding the painter's craft, but she often resorted to the use of a preconcieved technique and iconographical repertoire drawn frorn the Acaderny."],"dc:identifier.uri":["http://hdl.handle.net/11422/2455"],"dc:language":["por"],"dc:publisher":["Universidade Federal do Rio de Janeiro"],"dc:publisher.department":["Escola de Belas Artes"],"dc:rights":["Acesso Aberto"],"dc:subject":["Arte","Pintura","Rio de Janeiro (RJ)","Século XIX","Andrade, Abigail de","Biografia"],"dc:title":["Abijail de Andrade: artísta plástica do Rio de Janeiro no século xix"],"dc:type":["Dissertação"]},"updated_at":"2026-07-24T01:15:53Z"}