{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/2388"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/2388","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"Três transcrições do \"Quadro de uma Exposição\" de Modest Mussorgsky: uma análise comparativa","abstract":"Based on Samuel Adler's idem concerning the similarities of orchestral transcription and poetic translation, this research investigates three orchestral transcription of Modest P. Mussorgsky's piano suite “Picture at an Exhibition”. There transcriptions are those by Mauriçe Ravel, Francisco Mignone and VIadimir Ashkenaq. The aim of the present work is to establish some criteria according to wish a transcription may be regarded a original composition or a new creative process linked to the primary work.","abstract_html":"Based on Samuel Adler's idem concerning the similarities of orchestral transcription and poetic translation, this research investigates three orchestral transcription of Modest P. Mussorgsky's piano suite “Picture at an Exhibition”. There transcriptions are those by Mauriçe Ravel, Francisco Mignone and VIadimir Ashkenaq. 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Mussorgsky's piano suite “Picture at an Exhibition”. There transcriptions are those by Mauriçe Ravel, Francisco Mignone and VIadimir Ashkenaq. The aim of the present work is to establish some criteria according to wish a transcription may be regarded a original composition or a new creative process linked to the primary work."]},{"key":"dc:title","label":"Title","values":["Três transcrições do \"Quadro de uma Exposição\" de Modest Mussorgsky: uma análise comparativa"]}]}],"canonical_facts":{"dc:contributor.advisor":["Vianna, João Guilherme Ripper"],"dc:creator":["Di Sabbatto, Sérgio"],"dc:date.accessioned":["2017-07-10T21:32:43Z"],"dc:date.available":["2026-05-16T03:04:37Z"],"dc:date.issued":["2002-08-28"],"dc:description.abstract":["Based on Samuel Adler's idem concerning the similarities of orchestral transcription and poetic translation, this research investigates three orchestral transcription of Modest P. Mussorgsky's piano suite “Picture at an Exhibition”. There transcriptions are those by Mauriçe Ravel, Francisco Mignone and VIadimir Ashkenaq. The aim of the present work is to establish some criteria according to wish a transcription may be regarded a original composition or a new creative process linked to the primary work."],"dc:identifier.uri":["http://hdl.handle.net/11422/2388"],"dc:language":["por"],"dc:publisher":["Universidade Federal do Rio de Janeiro"],"dc:publisher.department":["Escola de Música"],"dc:rights":["Acesso Aberto"],"dc:subject":["Mussorgsky, Modest Petrovich","Orquestração"],"dc:title":["Três transcrições do \"Quadro de uma Exposição\" de Modest Mussorgsky: uma análise comparativa"],"dc:type":["Dissertação"]},"updated_at":"2026-07-24T01:15:49Z"}