{"id":{"repo_id":"birmingham","oai_identifier":"oai:etheses.bham.ac.uk:666"},"canonical_url":"https://search.dev.ndltd.org/etd/birmingham/oai:etheses.bham.ac.uk:666","repository":{"repo_id":"birmingham","name":"University of Birmingham","base_url":"https://etheses.bham.ac.uk/cgi/oai2"},"display":{"title":"Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73","abstract":"This study focuses on P.I. Tchaikovsky's last completed work, the richly symbolic Six Songs, Opus 73. It demonstrates for the first time how Tchaikovsky's significant literary talents impacted on his song output in general, and on this cycle of songs in particular, providing us also with new insights into his personality. The composer selected and sequenced the poems used for the Opus 73 set to form the cycle of texts himself. The resulting songs are underpinned by a network of internal connections, which parallel the techniques used in the original poems in remarkable ways and link subtly with coded fate messages found elsewhere in the composer's output. The study presents evidence which enhances Pyotr Il'ich's reputation as a skilled manipulator of words, ideas and music.","abstract_html":"This study focuses on P.I. Tchaikovsky's last completed work, the richly symbolic Six Songs, Opus 73. It demonstrates for the first time how Tchaikovsky's significant literary talents impacted on his song output in general, and on this cycle of songs in particular, providing us also with new insights into his personality. The composer selected and sequenced the poems used for the Opus 73 set to form the cycle of texts himself. The resulting songs are underpinned by a network of internal connections, which parallel the techniques used in the original poems in remarkable ways and link subtly with coded fate messages found elsewhere in the composer's output. The study presents evidence which enhances Pyotr Il'ich's reputation as a skilled manipulator of words, ideas and music.","abstract_has_math":false,"creators":["Rudeforth, Helen Elizabeth"],"institution":"University of Birmingham","degree_name":"d_ph","degree_level":"d_ph","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1999,"date_issued":"1999-07","date_published":"1999-07","updated_at":"2026-07-24T01:11:06Z","subjects":["PG Slavic, Baltic, Albanian languages and literature","ML Literature of music"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://etheses.bham.ac.uk//id/eprint/666/2/Decl_IS_Rudeforth99PhD.gif","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.sponsor","label":"Sponsor","values":["na"]},{"key":"dc:creator","label":"Author","values":["Rudeforth, Helen Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["1999-07-14"]},{"key":"dc:date.issued","label":"Date","values":["1999-07"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["School of Humanities","Department of Russian Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Birmingham"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["http://etheses.bham.ac.uk//id/eprint/666/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["d_ph"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["d_ph"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["PG Slavic, Baltic, Albanian languages and literature","ML Literature of music"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://etheses.bham.ac.uk//id/eprint/666/1/Rudeforth99PhD.pdf","http://etheses.bham.ac.uk//id/eprint/666/2/Decl_IS_Rudeforth99PhD.gif"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This study focuses on P.I. Tchaikovsky's last completed work, the richly symbolic Six Songs, Opus 73. It demonstrates for the first time how Tchaikovsky's significant literary talents impacted on his song output in general, and on this cycle of songs in particular, providing us also with new insights into his personality. The composer selected and sequenced the poems used for the Opus 73 set to form the cycle of texts himself. The resulting songs are underpinned by a network of internal connections, which parallel the techniques used in the original poems in remarkable ways and link subtly with coded fate messages found elsewhere in the composer's output. The study presents evidence which enhances Pyotr Il'ich's reputation as a skilled manipulator of words, ideas and music."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","image/gif"]},{"key":"dc:title","label":"Title","values":["Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73"]}]}],"canonical_facts":{"dc:contributor.sponsor":["na"],"dc:creator":["Rudeforth, Helen Elizabeth"],"dc:date":["1999-07-14"],"dc:date.issued":["1999-07"],"dc:description.abstract":["This study focuses on P.I. Tchaikovsky's last completed work, the richly symbolic Six Songs, Opus 73. It demonstrates for the first time how Tchaikovsky's significant literary talents impacted on his song output in general, and on this cycle of songs in particular, providing us also with new insights into his personality. The composer selected and sequenced the poems used for the Opus 73 set to form the cycle of texts himself. The resulting songs are underpinned by a network of internal connections, which parallel the techniques used in the original poems in remarkable ways and link subtly with coded fate messages found elsewhere in the composer's output. 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