{"id":{"repo_id":"birmingham","oai_identifier":"oai:etheses.bham.ac.uk:351"},"canonical_url":"https://search.dev.ndltd.org/etd/birmingham/oai:etheses.bham.ac.uk:351","repository":{"repo_id":"birmingham","name":"University of Birmingham","base_url":"https://etheses.bham.ac.uk/cgi/oai2"},"display":{"title":"Myths of War: Constructing and Challenging Literary Myths of War in Germany, 1914-1930","abstract":"This thesis focuses on the role of literature in interpreting the First World War in Germany from 1914 to 1930 and the myths of war that were manifested within and created by such narratives of war. Beginning with an exploration of 'myth' and its relationship to the Great War, it progresses to a consideration of the role of war in the Weimar Republic and the enduring myths that the war had spawned. A detailed analysis of Walter Flex's Der Wanderer zwischen beiden Welten (1917), Ernst Jünger's In Stahlgewittern (1920), Ludwig Renn's Krieg (1928) and Erich Maria Remarque's Im Westen nichts Neues (1929) considers the presentation of the war experience thematically, focusing on the 'spirit of 1914', the aestheticisation of war, combat, comradeship, fate and the fallen, identifying productive tensions in each text to a certain degree. Although such literature is still largely categorised as either 'nationalist' or 'anti-war', I argue that this is an oversimplification of their complexity and, as such, has limited validity from a literary perspective.","abstract_html":"This thesis focuses on the role of literature in interpreting the First World War in Germany from 1914 to 1930 and the myths of war that were manifested within and created by such narratives of war. Beginning with an exploration of 'myth' and its relationship to the Great War, it progresses to a consideration of the role of war in the Weimar Republic and the enduring myths that the war had spawned. A detailed analysis of Walter Flex's Der Wanderer zwischen beiden Welten (1917), Ernst Jünger's In Stahlgewittern (1920), Ludwig Renn's Krieg (1928) and Erich Maria Remarque's Im Westen nichts Neues (1929) considers the presentation of the war experience thematically, focusing on the 'spirit of 1914', the aestheticisation of war, combat, comradeship, fate and the fallen, identifying productive tensions in each text to a certain degree. Although such literature is still largely categorised as either 'nationalist' or 'anti-war', I argue that this is an oversimplification of their complexity and, as such, has limited validity from a literary perspective.","abstract_has_math":false,"creators":["Giles, Alice Shelley Minda"],"institution":"University of Birmingham","degree_name":"m_ph","degree_level":"m_ph","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009-12","date_published":"2009-12","updated_at":"2026-07-24T01:10:55Z","subjects":["PT Germanic literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.sponsor","label":"Sponsor","values":["na"]},{"key":"dc:creator","label":"Author","values":["Giles, Alice Shelley Minda"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2009-12-15"]},{"key":"dc:date.issued","label":"Date","values":["2009-12"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["College of Arts & Law","School of Languages, Cultures, Art History and Music, Department of Modern Languages"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Birmingham"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["http://etheses.bham.ac.uk//id/eprint/351/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["m_ph"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["m_ph"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["PT Germanic literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://etheses.bham.ac.uk//id/eprint/351/1/Giles09MPhil.pdf","http://etheses.bham.ac.uk//id/eprint/351/2/Decl_IS_Giles09MPhil.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis focuses on the role of literature in interpreting the First World War in Germany from 1914 to 1930 and the myths of war that were manifested within and created by such narratives of war. Beginning with an exploration of 'myth' and its relationship to the Great War, it progresses to a consideration of the role of war in the Weimar Republic and the enduring myths that the war had spawned. A detailed analysis of Walter Flex's Der Wanderer zwischen beiden Welten (1917), Ernst Jünger's In Stahlgewittern (1920), Ludwig Renn's Krieg (1928) and Erich Maria Remarque's Im Westen nichts Neues (1929) considers the presentation of the war experience thematically, focusing on the 'spirit of 1914', the aestheticisation of war, combat, comradeship, fate and the fallen, identifying productive tensions in each text to a certain degree. Although such literature is still largely categorised as either 'nationalist' or 'anti-war', I argue that this is an oversimplification of their complexity and, as such, has limited validity from a literary perspective."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Myths of War: Constructing and Challenging Literary Myths of War in Germany, 1914-1930"]}]}],"canonical_facts":{"dc:contributor.sponsor":["na"],"dc:creator":["Giles, Alice Shelley Minda"],"dc:date":["2009-12-15"],"dc:date.issued":["2009-12"],"dc:description.abstract":["This thesis focuses on the role of literature in interpreting the First World War in Germany from 1914 to 1930 and the myths of war that were manifested within and created by such narratives of war. 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