{"id":{"repo_id":"birmingham","oai_identifier":"oai:etheses.bham.ac.uk:236"},"canonical_url":"https://search.dev.ndltd.org/etd/birmingham/oai:etheses.bham.ac.uk:236","repository":{"repo_id":"birmingham","name":"University of Birmingham","base_url":"https://etheses.bham.ac.uk/cgi/oai2"},"display":{"title":"Analysis of five works by Herbert Howells, with reference to features of the composer’s style","abstract":"As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study is to reveal more about Howells’ compositional processes. With this in mind there are two focuses that enable this investigation. Firstly, the analysis of five contrasting works, providing an understanding of how each composition is constructed. These works are Elegy for Viola, String Quartet and String Orchestra, Blessed are the Dead, Hymnus Paradisi, Take Him, Earth, for Cherishing and Stabat Mater. The second objective is the identification of the more important fingerprints of Howells’ musical style. This will cover harmonic, rhythmic, and melodic features, as well as matters relating to orchestration.","abstract_html":"As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study is to reveal more about Howells’ compositional processes. With this in mind there are two focuses that enable this investigation. Firstly, the analysis of five contrasting works, providing an understanding of how each composition is constructed. These works are Elegy for Viola, String Quartet and String Orchestra, Blessed are the Dead, Hymnus Paradisi, Take Him, Earth, for Cherishing and Stabat Mater. The second objective is the identification of the more important fingerprints of Howells’ musical style. This will cover harmonic, rhythmic, and melodic features, as well as matters relating to orchestration.","abstract_has_math":false,"creators":["Ward, Martin John"],"institution":"University of Birmingham","degree_name":"m_ph","degree_level":"m_ph","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006-07","date_published":"2006-07","updated_at":"2026-07-24T01:10:50Z","subjects":["M Music"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.sponsor","label":"Sponsor","values":["na"]},{"key":"dc:creator","label":"Author","values":["Ward, Martin John"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2006-07"]},{"key":"dc:date.issued","label":"Date","values":["2006-07"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["School of Humanities","Music"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Birmingham"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["http://etheses.bham.ac.uk//id/eprint/236/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["m_ph"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["m_ph"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["M Music"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://etheses.bham.ac.uk//id/eprint/236/1/Ward06MPhil_A1a.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study is to reveal more about Howells’ compositional processes. With this in mind there are two focuses that enable this investigation. Firstly, the analysis of five contrasting works, providing an understanding of how each composition is constructed. These works are Elegy for Viola, String Quartet and String Orchestra, Blessed are the Dead, Hymnus Paradisi, Take Him, Earth, for Cherishing and Stabat Mater. The second objective is the identification of the more important fingerprints of Howells’ musical style. This will cover harmonic, rhythmic, and melodic features, as well as matters relating to orchestration."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Analysis of five works by Herbert Howells, with reference to features of the composer’s style"]}]}],"canonical_facts":{"dc:contributor.sponsor":["na"],"dc:creator":["Ward, Martin John"],"dc:date":["2006-07"],"dc:date.issued":["2006-07"],"dc:description.abstract":["As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study is to reveal more about Howells’ compositional processes. With this in mind there are two focuses that enable this investigation. Firstly, the analysis of five contrasting works, providing an understanding of how each composition is constructed. These works are Elegy for Viola, String Quartet and String Orchestra, Blessed are the Dead, Hymnus Paradisi, Take Him, Earth, for Cherishing and Stabat Mater. The second objective is the identification of the more important fingerprints of Howells’ musical style. This will cover harmonic, rhythmic, and melodic features, as well as matters relating to orchestration."],"dc:format":["application/pdf"],"dc:identifier.uri":["http://etheses.bham.ac.uk//id/eprint/236/1/Ward06MPhil_A1a.pdf"],"dc:publisher.department":["School of Humanities","Music"],"dc:publisher.institution":["University of Birmingham"],"dc:relation.isreferencedby":["http://etheses.bham.ac.uk//id/eprint/236/"],"dc:subject":["M Music"],"dc:title":["Analysis of five works by Herbert Howells, with reference to features of the composer’s style"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["m_ph"],"dc:type.qualificationname":["m_ph"]},"updated_at":"2026-07-24T01:10:50Z"}