{"id":{"repo_id":"birmingham","oai_identifier":"oai:etheses.bham.ac.uk:1559"},"canonical_url":"https://search.dev.ndltd.org/etd/birmingham/oai:etheses.bham.ac.uk:1559","repository":{"repo_id":"birmingham","name":"University of Birmingham","base_url":"https://etheses.bham.ac.uk/cgi/oai2"},"display":{"title":"Algernon Charles Swinburne: the causes and effects of his Sapphic possession","abstract":"The thesis regards the extraordinary power of Sappho in the 1860s as resulting in a form of “Sapphic Possession” which laid hold on Swinburne, shaped his verse, produced a provocative new poetics, and which accounted for a critical reception of his work that was both hostile and enthralled. Using biographical material and Freudian psychology, I show how Swinburne became attracted to Sappho and came to rely on her as a substitute mistress and particular kind of muse, and I demonstrate the pre-eminence of the Sapphic presence in Poems and Ballads: 1, as a dominant female muse who exacts peculiar sacrifices from the poet of subjection, necrophilia, and even a form of “death” in the loss of his own personality; as a result, he is finally reduced to acting as the muse’s mouthpiece, a state akin to that of Pythia or Sibyl. Verse written under such duress instigates a new poetics where the demands and constructs of the muse produce a sublime composed of aberrance, fracture and the darkness of myth. To explicate this argument I read Poems and Ballads: 1 through carnival, a form of Bacchanal or Sapphic Komos which has the effect of blurring the boundaries between life and lyric, and which demands a joyous and reciprocal response from its readers, in which they must acknowledge their own attraction to the Sapphic sublime.","abstract_html":"The thesis regards the extraordinary power of Sappho in the 1860s as resulting in a form of “Sapphic Possession” which laid hold on Swinburne, shaped his verse, produced a provocative new poetics, and which accounted for a critical reception of his work that was both hostile and enthralled. Using biographical material and Freudian psychology, I show how Swinburne became attracted to Sappho and came to rely on her as a substitute mistress and particular kind of muse, and I demonstrate the pre-eminence of the Sapphic presence in Poems and Ballads: 1, as a dominant female muse who exacts peculiar sacrifices from the poet of subjection, necrophilia, and even a form of “death” in the loss of his own personality; as a result, he is finally reduced to acting as the muse’s mouthpiece, a state akin to that of Pythia or Sibyl. Verse written under such duress instigates a new poetics where the demands and constructs of the muse produce a sublime composed of aberrance, fracture and the darkness of myth. To explicate this argument I read Poems and Ballads: 1 through carnival, a form of Bacchanal or Sapphic Komos which has the effect of blurring the boundaries between life and lyric, and which demands a joyous and reciprocal response from its readers, in which they must acknowledge their own attraction to the Sapphic sublime.","abstract_has_math":false,"creators":["Ingham, Anthea Margaret"],"institution":"University of Birmingham","degree_name":"d_ph","degree_level":"d_ph","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-07","date_published":"2011-07","updated_at":"2026-07-24T01:11:37Z","subjects":["PQ Romance literatures","DE The Mediterranean Region. The Greco-Roman World","GR Folklore","PN0441 Literary History","PN0080 Criticism","BF Psychology","PR English literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.sponsor","label":"Sponsor","values":["other"]},{"key":"dc:creator","label":"Author","values":["Ingham, Anthea Margaret"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-07"]},{"key":"dc:date.issued","label":"Date","values":["2011-07"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["College of Arts & Law","School of English, Drama and American & Canadian Studies, Department of English Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Birmingham"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["http://etheses.bham.ac.uk//id/eprint/1559/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["d_ph"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["d_ph"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["PQ Romance literatures","DE The Mediterranean Region. The Greco-Roman World","GR Folklore","PN0441 Literary History","PN0080 Criticism","BF Psychology","PR English literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://etheses.bham.ac.uk//id/eprint/1559/1/Ingham11PhD.pdf","http://etheses.bham.ac.uk//id/eprint/1559/2/Decl_IS_Ingham11PhD.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The thesis regards the extraordinary power of Sappho in the 1860s as resulting in a form of “Sapphic Possession” which laid hold on Swinburne, shaped his verse, produced a provocative new poetics, and which accounted for a critical reception of his work that was both hostile and enthralled. Using biographical material and Freudian psychology, I show how Swinburne became attracted to Sappho and came to rely on her as a substitute mistress and particular kind of muse, and I demonstrate the pre-eminence of the Sapphic presence in Poems and Ballads: 1, as a dominant female muse who exacts peculiar sacrifices from the poet of subjection, necrophilia, and even a form of “death” in the loss of his own personality; as a result, he is finally reduced to acting as the muse’s mouthpiece, a state akin to that of Pythia or Sibyl. Verse written under such duress instigates a new poetics where the demands and constructs of the muse produce a sublime composed of aberrance, fracture and the darkness of myth. To explicate this argument I read Poems and Ballads: 1 through carnival, a form of Bacchanal or Sapphic Komos which has the effect of blurring the boundaries between life and lyric, and which demands a joyous and reciprocal response from its readers, in which they must acknowledge their own attraction to the Sapphic sublime."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Algernon Charles Swinburne: the causes and effects of his Sapphic possession"]}]}],"canonical_facts":{"dc:contributor.sponsor":["other"],"dc:creator":["Ingham, Anthea Margaret"],"dc:date":["2011-07"],"dc:date.issued":["2011-07"],"dc:description.abstract":["The thesis regards the extraordinary power of Sappho in the 1860s as resulting in a form of “Sapphic Possession” which laid hold on Swinburne, shaped his verse, produced a provocative new poetics, and which accounted for a critical reception of his work that was both hostile and enthralled. Using biographical material and Freudian psychology, I show how Swinburne became attracted to Sappho and came to rely on her as a substitute mistress and particular kind of muse, and I demonstrate the pre-eminence of the Sapphic presence in Poems and Ballads: 1, as a dominant female muse who exacts peculiar sacrifices from the poet of subjection, necrophilia, and even a form of “death” in the loss of his own personality; as a result, he is finally reduced to acting as the muse’s mouthpiece, a state akin to that of Pythia or Sibyl. Verse written under such duress instigates a new poetics where the demands and constructs of the muse produce a sublime composed of aberrance, fracture and the darkness of myth. To explicate this argument I read Poems and Ballads: 1 through carnival, a form of Bacchanal or Sapphic Komos which has the effect of blurring the boundaries between life and lyric, and which demands a joyous and reciprocal response from its readers, in which they must acknowledge their own attraction to the Sapphic sublime."],"dc:format":["application/pdf"],"dc:identifier.uri":["http://etheses.bham.ac.uk//id/eprint/1559/1/Ingham11PhD.pdf","http://etheses.bham.ac.uk//id/eprint/1559/2/Decl_IS_Ingham11PhD.pdf"],"dc:publisher.department":["College of Arts & Law","School of English, Drama and American & Canadian Studies, Department of English Literature"],"dc:publisher.institution":["University of Birmingham"],"dc:relation.isreferencedby":["http://etheses.bham.ac.uk//id/eprint/1559/"],"dc:subject":["PQ Romance literatures","DE The Mediterranean Region. The Greco-Roman World","GR Folklore","PN0441 Literary History","PN0080 Criticism","BF Psychology","PR English literature"],"dc:title":["Algernon Charles Swinburne: the causes and effects of his Sapphic possession"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["d_ph"],"dc:type.qualificationname":["d_ph"]},"updated_at":"2026-07-24T01:11:37Z"}