{"id":{"repo_id":"birmingham","oai_identifier":"oai:etheses.bham.ac.uk:1292"},"canonical_url":"https://search.dev.ndltd.org/etd/birmingham/oai:etheses.bham.ac.uk:1292","repository":{"repo_id":"birmingham","name":"University of Birmingham","base_url":"https://etheses.bham.ac.uk/cgi/oai2"},"display":{"title":"\"Foolery, sir, does walk about the orb like the sun\": fool-characters and comic dramatic structures in Hamlet, Twelfth night and Troilus and Cressida","abstract":"The thesis analyses fool-characters and comic structures in Shakespeare's three plays-each play representing a different dramatic genre. The chapter on Hamlet primarily focuses on Hamlet's fool-role originating from his \"antic disposition.\" In Twelfth Night, the study examines the topsy-turvydom dominant in Olivia's household. Sir Toby Belch, as a Lord of Misrule, and Feste, as a professional jester, are the central characters in the analysis. In the chapter on Troilus and Cressida--a dramatic work frequently categorized as a \"problem play\"-the dramatic functions of two fool-characters, Pandarus and Thersites, are explored. The thesis examines the sources and theatrical traditions relevant to the analysed characters. It also investigates the various ways in which these characters create a counterweight to the social and political status quo of their respective plays, as a result of which they eventually become expelled, muted, or forced to adjust to the final social and political constellation emerging at the conclusion of the plays.","abstract_html":"The thesis analyses fool-characters and comic structures in Shakespeare's three plays-each play representing a different dramatic genre. The chapter on Hamlet primarily focuses on Hamlet's fool-role originating from his "antic disposition." In Twelfth Night, the study examines the topsy-turvydom dominant in Olivia's household. Sir Toby Belch, as a Lord of Misrule, and Feste, as a professional jester, are the central characters in the analysis. In the chapter on Troilus and Cressida--a dramatic work frequently categorized as a "problem play"-the dramatic functions of two fool-characters, Pandarus and Thersites, are explored. The thesis examines the sources and theatrical traditions relevant to the analysed characters. It also investigates the various ways in which these characters create a counterweight to the social and political status quo of their respective plays, as a result of which they eventually become expelled, muted, or forced to adjust to the final social and political constellation emerging at the conclusion of the plays.","abstract_has_math":false,"creators":["Markus, Zoltan"],"institution":"University of Birmingham","degree_name":"m_ph","degree_level":"m_ph","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1993,"date_issued":"1993","date_published":"1993","updated_at":"2026-07-24T01:11:26Z","subjects":["PN2000 Dramatic representation. 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The thesis examines the sources and theatrical traditions relevant to the analysed characters. It also investigates the various ways in which these characters create a counterweight to the social and political status quo of their respective plays, as a result of which they eventually become expelled, muted, or forced to adjust to the final social and political constellation emerging at the conclusion of the plays."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["\"Foolery, sir, does walk about the orb like the sun\": fool-characters and comic dramatic structures in Hamlet, Twelfth night and Troilus and Cressida"]}]}],"canonical_facts":{"dc:contributor.sponsor":["na"],"dc:creator":["Markus, Zoltan"],"dc:date":["1993"],"dc:date.issued":["1993"],"dc:description.abstract":["The thesis analyses fool-characters and comic structures in Shakespeare's three plays-each play representing a different dramatic genre. 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