Little is known about Chrétien de Troyes the man. Whatever is said about him as an individual or about the order and date of his writings is entirely a matter of conjecture, for there is virtually no evidence except for the little offered by the poems themselves. While Chrétien's life's history is lost, his work remains. To value Chrétien's work, it must first be understood, and understanding will derive primarily from careful attention to the poetry itself; the focus of this study will be on Chrétien's earliest and most frequently misunderstood work, Erec et Enide. The perplexity surrounding the poem owes much to its curious structure, a structure most readily brought out through a brief summary of the plot.
Both structurally and thematically Chrétien's Erec et Enide is a complex piece, interlacing through its significant use of reversals the interdependent concepts of the use and abuse of words and of things in presenting the development of an ideal hero-king and his queen. This study hopes to demonstrate the unity under-lying that complexity while sensitive always to the work as twelfth century poem.
","abstract_html":"<p>Little is known about Chrétien de Troyes the man. Whatever is said about him as an individual or about the order and date of his writings is entirely a matter of conjecture, for there is virtually no evidence except for the little offered by the poems themselves. While Chrétien's life's history is lost, his work remains. To value Chrétien's work, it must first be understood, and understanding will derive primarily from careful attention to the poetry itself; the focus of this study will be on Chrétien's earliest and most frequently misunderstood work, <em>Erec et Enide</em>. The perplexity surrounding the poem owes much to its curious structure, a structure most readily brought out through a brief summary of the plot.</p> <p>Both structurally and thematically Chrétien's <em>Erec et Enide</em> is a complex piece, interlacing through its significant use of reversals the interdependent concepts of the use and abuse of words and of things in presenting the development of an ideal hero-king and his queen. This study hopes to demonstrate the unity under-lying that complexity while sensitive always to the work as twelfth century poem.</p>","abstract_has_math":false,"creators":["Iyasere, Marla Mudar"],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"English, General Literature, and Rhetoric","degree_department":null,"school":null,"contributors":["Zack Bowen","Bernard F. Huppe","Bernard S. Levy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1974,"date_issued":"1974-01-01T08:00:00Z","date_published":"1974-01-01T08:00:00Z","updated_at":"2026-07-24T01:10:35Z","subjects":["Chrétien","de Troyes","active 12th century","Érec et Énide","Romances","Criticism and interpretation"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://orb.binghamton.edu/dissertation_and_theses/266","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Zack Bowen","Bernard F. Huppe","Bernard S. Levy"]},{"key":"dc:creator","label":"Author","values":["Iyasere, Marla Mudar"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["English, General Literature, and Rhetoric"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Chrétien","de Troyes","active 12th century","Érec et Énide","Romances","Criticism and interpretation"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://orb.binghamton.edu/dissertation_and_theses/266"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Little is known about Chrétien de Troyes the man. Whatever is said about him as an individual or about the order and date of his writings is entirely a matter of conjecture, for there is virtually no evidence except for the little offered by the poems themselves. While Chrétien's life's history is lost, his work remains. To value Chrétien's work, it must first be understood, and understanding will derive primarily from careful attention to the poetry itself; the focus of this study will be on Chrétien's earliest and most frequently misunderstood work, Erec et Enide. The perplexity surrounding the poem owes much to its curious structure, a structure most readily brought out through a brief summary of the plot.
Both structurally and thematically Chrétien's Erec et Enide is a complex piece, interlacing through its significant use of reversals the interdependent concepts of the use and abuse of words and of things in presenting the development of an ideal hero-king and his queen. This study hopes to demonstrate the unity under-lying that complexity while sensitive always to the work as twelfth century poem.
"]},{"key":"dc:title","label":"Title","values":["Narrative design and heroic definition in Chretien de Troyes' Erec et Enide"]}]}],"canonical_facts":{"dc:contributor":["Zack Bowen","Bernard F. Huppe","Bernard S. Levy"],"dc:creator":["Iyasere, Marla Mudar"],"dc:description.abstract":["Little is known about Chrétien de Troyes the man. Whatever is said about him as an individual or about the order and date of his writings is entirely a matter of conjecture, for there is virtually no evidence except for the little offered by the poems themselves. While Chrétien's life's history is lost, his work remains. To value Chrétien's work, it must first be understood, and understanding will derive primarily from careful attention to the poetry itself; the focus of this study will be on Chrétien's earliest and most frequently misunderstood work, Erec et Enide. The perplexity surrounding the poem owes much to its curious structure, a structure most readily brought out through a brief summary of the plot.
Both structurally and thematically Chrétien's Erec et Enide is a complex piece, interlacing through its significant use of reversals the interdependent concepts of the use and abuse of words and of things in presenting the development of an ideal hero-king and his queen. This study hopes to demonstrate the unity under-lying that complexity while sensitive always to the work as twelfth century poem.
"],"dc:identifier":["https://orb.binghamton.edu/dissertation_and_theses/266"],"dc:subject":["Chrétien","de Troyes","active 12th century","Érec et Énide","Romances","Criticism and interpretation"],"dc:title":["Narrative design and heroic definition in Chretien de Troyes' Erec et Enide"],"thesis:degree_discipline":["English, General Literature, and Rhetoric"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-24T01:10:35Z"}