{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/9819"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/9819","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"An examination of women's piety as depicted in medieval and early modern stained glass.","abstract":"This thesis explores the impact of gender and religious piety on expressions of women's agency in Late Medieval and Early Modern England. Chapter One introduces Oxfordshire stained glass as the area of inquiry, with the Corpus Vitrearum Medii Aevi (CVMA) database serving as the primary source reference. Both the Centre for Medieval Studies at the University of York and the British Academy collaborate on this database. The next three chapters investigate portrayals of donors, biblical figures, and non-biblical figures. Each chapter demonstrates that depictions of women and men generally remain uniform across time. That said, the chapters also show that depictions of women changed in small ways that images of men did not. Subtle changes reveal that gender forced Late Medieval and Early Modern women to be creative with their religious expressions, while piety provided women an internalized outlet to express their agency within the church.","abstract_html":"This thesis explores the impact of gender and religious piety on expressions of women's agency in Late Medieval and Early Modern England. Chapter One introduces Oxfordshire stained glass as the area of inquiry, with the Corpus Vitrearum Medii Aevi (CVMA) database serving as the primary source reference. Both the Centre for Medieval Studies at the University of York and the British Academy collaborate on this database. The next three chapters investigate portrayals of donors, biblical figures, and non-biblical figures. Each chapter demonstrates that depictions of women and men generally remain uniform across time. That said, the chapters also show that depictions of women changed in small ways that images of men did not. Subtle changes reveal that gender forced Late Medieval and Early Modern women to be creative with their religious expressions, while piety provided women an internalized outlet to express their agency within the church.","abstract_has_math":false,"creators":["Henley, Annelise A., 1992-"],"institution":"Baylor University.","degree_name":"M.A.","degree_level":"Masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Barr, Beth Allison."],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-08","date_published":"2016-08","updated_at":"2026-07-24T01:08:16Z","subjects":["Stained glass.","Medieval period.","Early Modern era.","Women.","Piety."],"languages":["en"],"rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2104/9819","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Barr, Beth Allison."]},{"key":"dc:creator","label":"Author","values":["Henley, Annelise A., 1992-"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-09-01T13:46:02Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-09-01T13:46:02Z"]},{"key":"dc:date.issued","label":"Date","values":["2016-08"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Baylor University."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Stained glass.","Medieval period.","Early Modern era.","Women.","Piety."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Baylor University works are protected by copyright. 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The next three chapters investigate portrayals of donors, biblical figures, and non-biblical figures. Each chapter demonstrates that depictions of women and men generally remain uniform across time. That said, the chapters also show that depictions of women changed in small ways that images of men did not. Subtle changes reveal that gender forced Late Medieval and Early Modern women to be creative with their religious expressions, while piety provided women an internalized outlet to express their agency within the church."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["An examination of women's piety as depicted in medieval and early modern stained glass."]}]}],"canonical_facts":{"dc:contributor.advisor":["Barr, Beth Allison."],"dc:creator":["Henley, Annelise A., 1992-"],"dc:date.accessioned":["2016-09-01T13:46:02Z"],"dc:date.available":["2016-09-01T13:46:02Z"],"dc:date.issued":["2016-08"],"dc:description.abstract":["This thesis explores the impact of gender and religious piety on expressions of women's agency in Late Medieval and Early Modern England. Chapter One introduces Oxfordshire stained glass as the area of inquiry, with the Corpus Vitrearum Medii Aevi (CVMA) database serving as the primary source reference. Both the Centre for Medieval Studies at the University of York and the British Academy collaborate on this database. The next three chapters investigate portrayals of donors, biblical figures, and non-biblical figures. Each chapter demonstrates that depictions of women and men generally remain uniform across time. That said, the chapters also show that depictions of women changed in small ways that images of men did not. Subtle changes reveal that gender forced Late Medieval and Early Modern women to be creative with their religious expressions, while piety provided women an internalized outlet to express their agency within the church."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2104/9819"],"dc:language.iso":["en"],"dc:rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"dc:subject":["Stained glass.","Medieval period.","Early Modern era.","Women.","Piety."],"dc:title":["An examination of women's piety as depicted in medieval and early modern stained glass."],"dc:type":["Thesis"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.A."],"thesis:institution_name":["Baylor University."]},"updated_at":"2026-07-24T01:08:16Z"}