{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/8744"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/8744","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"The kid with a camera : Abbas Kiarostami's cinematic critique.","abstract":"This thesis is an exploration of the film works of Iranian film director Abbas Kiarostami. It argues that his films constitute a body of work that serves as a self-reflexive critique of cinema. Through both documentary and fiction film-making, Kiarostami complicates the clear divide between reality and fiction in film-making by blending both realities and fictions into his film. Through the use of ambiguity, Kiarostami complicates the authorial claim of a writer/director claims, implicating the audience in the generation of meaning. 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