{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/8549"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/8549","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"The ends of love : vice and charity in The End of the Affair.","abstract":"The End of the Affair offers a compelling portrait of the two possible ends of natural love. Sarah Miles and Maurice Bendrix are confronted with the choice to let their natural love be subsumed into the love of God, transformed by its inherent capacity to conduit divine love, or else to degrade their love by seeking an impossible satisfaction in it. Sarah transitions from disordered love to real charity, in the pattern of true eros and agape. In contrast, Bendrix attempts to make their love an end in itself, intentionally preventing its sublimation into the love of God. In this he demonstrates the capital vices lust and envy as described in the seven deadly sins tradition. Greene's compelling depiction of how natural love can be pulled toward both demonic vice and the love of God makes The End of the Affair a powerful portrayal of Catholic moral choice.","abstract_html":"The End of the Affair offers a compelling portrait of the two possible ends of natural love. Sarah Miles and Maurice Bendrix are confronted with the choice to let their natural love be subsumed into the love of God, transformed by its inherent capacity to conduit divine love, or else to degrade their love by seeking an impossible satisfaction in it. Sarah transitions from disordered love to real charity, in the pattern of true eros and agape. In contrast, Bendrix attempts to make their love an end in itself, intentionally preventing its sublimation into the love of God. In this he demonstrates the capital vices lust and envy as described in the seven deadly sins tradition. Greene's compelling depiction of how natural love can be pulled toward both demonic vice and the love of God makes The End of the Affair a powerful portrayal of Catholic moral choice.","abstract_has_math":false,"creators":["Hughes, Heather Lynn."],"institution":"Baylor University.","degree_name":"M.A.","degree_level":"Masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Wood, Ralph C."],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-11","date_published":"2012-11","updated_at":"2026-07-24T01:08:00Z","subjects":["End of the Affair.","Graham Greene."],"languages":["en"],"rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2104/8549","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Wood, Ralph C."]},{"key":"dc:creator","label":"Author","values":["Hughes, Heather Lynn."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2012-11-29T16:48:31Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2012-11-29T16:48:31Z"]},{"key":"dc:date.issued","label":"Date","values":["2012-11"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Baylor University."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["End of the Affair.","Graham Greene."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/2104/8549"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The End of the Affair offers a compelling portrait of the two possible ends of natural love. Sarah Miles and Maurice Bendrix are confronted with the choice to let their natural love be subsumed into the love of God, transformed by its inherent capacity to conduit divine love, or else to degrade their love by seeking an impossible satisfaction in it. Sarah transitions from disordered love to real charity, in the pattern of true eros and agape. In contrast, Bendrix attempts to make their love an end in itself, intentionally preventing its sublimation into the love of God. In this he demonstrates the capital vices lust and envy as described in the seven deadly sins tradition. Greene's compelling depiction of how natural love can be pulled toward both demonic vice and the love of God makes The End of the Affair a powerful portrayal of Catholic moral choice."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["The ends of love : vice and charity in The End of the Affair."]}]}],"canonical_facts":{"dc:contributor.advisor":["Wood, Ralph C."],"dc:creator":["Hughes, Heather Lynn."],"dc:date.accessioned":["2012-11-29T16:48:31Z"],"dc:date.available":["2012-11-29T16:48:31Z"],"dc:date.issued":["2012-11"],"dc:description.abstract":["The End of the Affair offers a compelling portrait of the two possible ends of natural love. Sarah Miles and Maurice Bendrix are confronted with the choice to let their natural love be subsumed into the love of God, transformed by its inherent capacity to conduit divine love, or else to degrade their love by seeking an impossible satisfaction in it. Sarah transitions from disordered love to real charity, in the pattern of true eros and agape. In contrast, Bendrix attempts to make their love an end in itself, intentionally preventing its sublimation into the love of God. In this he demonstrates the capital vices lust and envy as described in the seven deadly sins tradition. Greene's compelling depiction of how natural love can be pulled toward both demonic vice and the love of God makes The End of the Affair a powerful portrayal of Catholic moral choice."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2104/8549"],"dc:language.iso":["en"],"dc:rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"dc:subject":["End of the Affair.","Graham Greene."],"dc:title":["The ends of love : vice and charity in The End of the Affair."],"dc:type":["Thesis"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.A."],"thesis:institution_name":["Baylor University."]},"updated_at":"2026-07-24T01:08:00Z"}